A Companion to Hildegard of Bingen

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188 leigh-choate, flynn, and fassler Example 4. Opening of the Ordo uirtutum: Roots and Branches (Riesenkodex, fol. 478vb) Example 5. Felix Anima Contrasted with Gravata Anima (Riesenkodex, fols 478vb–479ra)
hearing the heavenly symphony 189 One of the most complex aspects of the drama is the organization of the Virtues. As their unfolding creates the structure of the drama, an understanding of Hildegard’s plan is of fundamental importance. Dabke offfers the most compelling study of their presentation and ordering.80 She points out that Hildegard worked with schemes of virtues throughout her life, and believes (without making claims about chronology) that the virtues in Scivias, Liber vite meritorum, and Liber diuinorum operum provide a backdrop for understanding the Virtues in the play.81 The sixteen Virtues can be organized into two groups of eight through their relationship to Biblical Scripture and the exegetical tradition. The fĳirst octad comprises Hildegard’s “Gift Virtues”: those corresponding to the gifts of the Holy Spirit named in Isaiah 11:1–5, similar to other medieval lists of such virtues.82 It is deeply signifĳicant that Hildegard begins with these virtues, for Isaiah 11 is the source of the Tree of Jesse image, and 12th-century iconography often represented the spiritual gifts from which these virtues derive as doves surrounding Christ’s head atop the Tree of Jesse. Hildegard’s Gift Virtues arrive as a group in Scene Two,83 after Knowledge of God (Scientia Dei) and Humility (Humilitas)84 have argued with Anima in Scene One. By analyzing scriptural exegesis in the drama and in Hildegard’s other works, Dabke posits that the second octad of Virtues relates to the Beatitudes of the Sermon on the Mount (Mt. 5:1–12).85 According to this theory, then, an Old Testament–inspired set of Virtues appears, followed by one based on New Testament exegesis. This argument allows us to relate the ordo, or succession, of Virtues to the graphic opening of the play, in which the Old Testament fĳigures proclaim themselves to be the roots of a new-blossoming tree of life that operates on high. Anima moves through two “ranks” of virtues and emerges from an older understanding of the Law into the newer realm of Christian ethics. The following table lists the Virtues in the order in which they speak: each identifĳies herself and receives a group response (modes of the responses are not listed). 80 Dabke, “Hidden Scheme.” 81 Ibid., esp. pp. 13–15, 33–34. 82 Ibid., pp. 15–17. 83 The description of the drama follows Dronke’s edition and translation of the Ordo, in Nine Medieval Latin Plays. 84 Humility appears in every one of Dronke’s four scenes. 85 Dabke, “Hidden Scheme,” pp. 17–22.
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A Companion to Hildegard of Bingen
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A Companion to Hildegard of Bingen
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CONTENTS Notes on Contributors ....
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NOTES ON CONTRIBUTORS Michael Embac
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notes on contributors ix with parti
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xii abbreviations Epistolarium, III
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ACKNOWLEDGMENTS The editors wish to
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TIMELINE FOR HILDEGARD OF BINGEN’
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THE REGION OF HILDEGARD OF BINGEN s
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2 kienzle and stoudt as well emphas
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4 kienzle and stoudt A Companion to
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6 kienzle and stoudt Elisabeth of S
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8 kienzle and stoudt Finally, the a
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10 kienzle and stoudt over the cour
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12 kienzle and stoudt also an (illu
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WHAT DO WE KNOW ABOUT THE LIFE OF J
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what do we know about the life of j
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ST DISIBOD AND THE HISTORY OF THE D
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st disibod and the history of the d
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58 constant j. mews least as practi
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60 constant j. mews Hildegard was r
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62 constant j. mews a religious lif
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64 constant j. mews how Archbishop
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66 constant j. mews gathered around
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68 constant j. mews have copied at
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70 constant j. mews life to come se
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72 constant j. mews Augustinian com
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74 constant j. mews “the ways of
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76 constant j. mews true life” (r
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78 constant j. mews the language of
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80 constant j. mews Disibodenberg,
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82 constant j. mews into bloom, and
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UNEQUAL TWINS: VISIONARY ATTITUDE A
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unequal twins 87 nifĳicat (Quia re
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unequal twins 89 In this study, how
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unequal twins 91 Maria consors mart
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unequal twins 93 amazing popularity
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unequal twins 95 An important conf
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unequal twins 97 and shared its lit
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unequal twins 99 common musical com
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unequal twins 101 Could we imagine
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unequal twins 103 interpreted as a
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unequal twins 105 Hildegard’s son
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unequal twins 107 encounter with th
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HILDEGARD, THE SCHOOLS, AND THEIR C
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hildegard, the schools, and their c
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Page 158 and 159: 138 kienzle and stevens commenting
Page 160 and 161: 140 kienzle and stevens monks at Vi
Page 162 and 163: 142 kienzle and stevens Mary, and t
Page 164 and 165: 144 kienzle and stevens problems oc
Page 166 and 167: 146 kienzle and stevens Hildegard
Page 168 and 169: 148 kienzle and stevens Likewise, i
Page 170 and 171: 150 kienzle and stevens The magistr
Page 172 and 173: 152 kienzle and stevens Knowledge o
Page 174 and 175: 154 kienzle and stevens became the
Page 176 and 177: 156 kienzle and stevens to prophecy
Page 178 and 179: 158 kienzle and stevens the Rhinela
Page 180 and 181: 160 kienzle and stevens also chose
Page 182 and 183: 162 kienzle and stevens memory enjo
Page 184 and 185: 164 leigh-choate, flynn, and fassle
Page 242 and 243: 222 susanne ruge linked to the part
Page 244 and 245: 224 susanne ruge An outline is incl
Page 246 and 247: 226 susanne ruge in the Vite mer. t
Page 248 and 249: 228 susanne ruge Thus, even before
Page 250 and 251: 230 susanne ruge These two primary
Page 252 and 253: 232 susanne ruge Since the devil is
Page 254 and 255: 234 susanne ruge in the tradition o
Page 256 and 257: 236 susanne ruge In response, the v
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238 susanne ruge blessed who await
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240 susanne ruge levels do not diff
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242 susanne ruge the murder of a ch
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244 susanne ruge teacher or judge (
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246 susanne ruge The Benedictine Ru
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248 susanne ruge (vices) and in the
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250 debra l. stoudt Translations of
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252 debra l. stoudt St Augustine (3
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254 debra l. stoudt appeared in the
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256 debra l. stoudt are useful in i
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258 debra l. stoudt of life,”39 a
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260 debra l. stoudt physical and sp
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262 debra l. stoudt begins with Ada
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264 debra l. stoudt Hildegard is af
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266 debra l. stoudt As an amulet, t
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268 debra l. stoudt account of Chri
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270 debra l. stoudt exorcism, compl
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272 debra l. stoudt The Antichrist
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274 michael embach Pentachronon and
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276 michael embach Chapter in Pragu
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278 michael embach for the canoniza
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280 michael embach the successful e
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282 michael embach texts compiled d
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284 michael embach that will afffli
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286 michael embach that Winand was
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288 michael embach University, Ms.
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290 michael embach cannot be consid
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292 michael embach In addition, he
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294 michael embach Hildegard in his
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296 michael embach saint’s nimbus
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298 michael embach Jacobus de Guis
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300 michael embach works in his com
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302 michael embach produced by a Je
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304 michael embach of Hildegardian
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306 george ferzoco ignored. Thus, t
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308 george ferzoco sent their revis
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310 george ferzoco better part of t
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312 george ferzoco Hildegardis, vir
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314 george ferzoco and was complete
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316 george ferzoco The papal bull o
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318 george ferzoco in providing a l
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320 george ferzoco II.B. Church off
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322 george ferzoco but it also show
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324 bibliography München, Bayerisc
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326 bibliography Gerard of Csanad.
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328 bibliography Johannes Afffligem
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330 bibliography ——. Guillelmi
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332 bibliography Bund, Konrad. “D
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334 bibliography ——. “Platoni
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336 bibliography ——. “Ductus
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338 bibliography Alfred Haverkamp,
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340 bibliography Jonsson, Ritva. Hi
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342 bibliography May, Johannes. Die
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344 bibliography Oxford Music Onlin
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346 bibliography Staab, Franz. “R
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INDEX Abelard, Peter 117n36, 127, 1
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index 351 Cuno, abbot of Disibodenb
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index 353 Helenger, abbot 207 hell
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index 355 Leclerq, Jean, scholar 10
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index 357 Paul of Bernried 67-68 Pa
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index 359 theology, creation 78, 10
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A Companion to Hildegard of Bingen

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