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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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hildegard <strong>of</strong> bingen: a his<strong>to</strong>ry <strong>of</strong> reception 295<br />

adventum Christi, Harclay declares that if the apostles and prophets had<br />

been unable <strong>to</strong> predict the return <strong>of</strong> Christ, then it was even less likely<br />

that mere poets would succeed in this endeavor. He counts Joachim <strong>of</strong><br />

Fiore, the Erythraean Sibyl, <strong>Hildegard</strong> <strong>of</strong> <strong>Bingen</strong>, and Ovid among these<br />

poets. He further characterizes <strong>Hildegard</strong> as a monialis teu<strong>to</strong>nica who had<br />

written many books and letters, and who had engaged with the entire<br />

world in epis<strong>to</strong>lary discourse. He explicitly cites the Scivias as a work that<br />

Bernard <strong>of</strong> Clairvaux had esteemed and which he had kept in his library.<br />

By citing Scivias (3.11), Harclay emphasizes that the poets were correct in<br />

their reticence <strong>to</strong> defijine a time frame for the end times.<br />

A French Franciscan, John <strong>of</strong> Rupescissa, also cites <strong>Hildegard</strong> as a prophetic<br />

authority. In his Vademecum in tribulatione, composed in 1356 and<br />

later translated in<strong>to</strong> German, he prophesied the persecution and reform<br />

<strong>of</strong> the debauched clergy, the return <strong>of</strong> the papacy from Avignon <strong>to</strong> Rome,<br />

a Last Emperor <strong>of</strong> France, and also a thousand-year empire <strong>of</strong> peace.<br />

Similar <strong>to</strong> Joachim <strong>of</strong> Fiore, John <strong>of</strong> Rupescissa did not want <strong>to</strong> be considered<br />

a prophet, but instead preferred <strong>to</strong> be unders<strong>to</strong>od as a scientist and<br />

exegete. His deep respect for <strong>Hildegard</strong> appears in his text: he calls her<br />

sancta . . . prophetissa and describes her as a contemporanea S. Bernardi<br />

Clarevallensi & eius amica. In addition, he claims that Pope Eugene III<br />

canonized (canonizavit) <strong>Hildegard</strong>’s books at the Provincial Council in<br />

Trier.<br />

Henry the Dove (d. 1364), who would ultimately become the head <strong>of</strong><br />

the episcopal chancellery in Eichstätt, appears <strong>to</strong> have been directly influenced<br />

by John <strong>of</strong> Rupescissa. Henry had studied law in Bologna, and he<br />

appears <strong>to</strong> have spent quite some time in Avignon following a visit <strong>to</strong><br />

Rome in the Jubilee year <strong>of</strong> 1350. As a chronicler, Henry continued the<br />

Flores temporum, a text that links papal and imperial his<strong>to</strong>ries. Henry had<br />

learned <strong>of</strong> John <strong>of</strong> Rupescissa’s Vademecum while the former was in Avignon,<br />

and he transferred large portions <strong>of</strong> the latter’s prophecies about<br />

the last days in<strong>to</strong> his chronicle. While he never explicitly names <strong>Hildegard</strong>,<br />

his work appears <strong>to</strong> be at least indirectly based on her visions. In the<br />

mid 15th century, Henry’s writings were used by two Nuremberg chroniclers,<br />

John Plattenberger (d. after 1479) and Theoderich (Dietrich) Truchsess<br />

(d. 1467) within their universal his<strong>to</strong>ry, the Excerpta chronicarum.<br />

They subsequently exerted an indirect influence on Sigmund Meisterlin<br />

(c.1435–1497) and his Nürnberger Chronik, as well as Hartmann Schedel<br />

(1440–1514), whose universal his<strong>to</strong>ry, the Nuremberg Chronicle, appeared<br />

in 1493. The latter included his own entry about <strong>Hildegard</strong> <strong>of</strong> <strong>Bingen</strong>,<br />

which contained a stereotyped pic<strong>to</strong>rial image: <strong>Hildegard</strong> appears with a

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