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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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32 franz j. felten<br />

Norm and practice in promoting the separation <strong>of</strong> convents for men and<br />

women were reinforced by exhortation. The Speculum virginum (“Mirror <strong>of</strong><br />

Virgins”), which probably originated in the reform circle <strong>of</strong> the Rhineland<br />

in the 12th century, polemicized against sanctimoniales who erected their<br />

houses next <strong>to</strong> monasteries—precisely the situation at Disibodenberg—<br />

and <strong>of</strong>ffered as the central reason that which, since the time <strong>of</strong> the Church<br />

Fathers, had discouraged <strong>to</strong>o great a proximity between men and women:<br />

the concern for chastity.87 Only the “enclosing” <strong>of</strong> women could help—a<br />

strict active and passive enclosure, which in these decades almost became<br />

the symbol <strong>of</strong> a cloistered life in accordance with the rule, especially for<br />

the supposedly weaker sex.<br />

This development from the enthusiasm for a vita apos<strong>to</strong>lica, represented<br />

by men and women living in the same place yet still separate from each<br />

other (according <strong>to</strong> the chronicler <strong>of</strong> the reform monastery Petershausen<br />

at Constance),88 <strong>to</strong> an emphasis on strict physical division increased in the<br />

time just before and after Jutta’s death. It is thus no surprise that, much<br />

later, after this ideal had become well established, the written sources<br />

emphasize spatial separation even in writing about years past. Hence,<br />

Guibert, who was certainly in a position <strong>to</strong> know about <strong>Hildegard</strong>’s and<br />

Jutta’s conditions, even from his home monastery in Gembloux, describes<br />

<strong>Hildegard</strong>’s cloister as an immured location in order <strong>to</strong> avert any suspicion,<br />

and represents <strong>Hildegard</strong> from the beginning as a true female Benedictine.<br />

He presents her teacher Jutta as conforming <strong>to</strong> this ideal as well,<br />

in that he smoothes over her difffijicult path at Disibodenberg, and causes<br />

her characteristic hardships <strong>to</strong> vanish in<strong>to</strong> simple asceticism and prayer.<br />

According <strong>to</strong> this portrayal, the departure from Disibodenberg <strong>to</strong> <strong>Bingen</strong><br />

would not have been a break, but rather a logical development.<br />

If we did not have Jutta’s Vita, which was fijirst edited in 1992 by Franz<br />

Staab, we would not know the great extent <strong>to</strong> which <strong>Hildegard</strong> sought<br />

<strong>to</strong> distance herself from Jutta’s ascetic ideals, fijirst at Disibodenberg, but<br />

above all at her own monastery. Jutta’s Vita underscores her sense <strong>of</strong> duty<br />

and obligation, in that it records her transmission <strong>of</strong> regulations that<br />

were <strong>to</strong> be strictly observed. However, if Kuno, Jutta’s trusted friend, commissioned<br />

her Vita in order <strong>to</strong> bind the sisters <strong>to</strong> her ideal,89 a diffferent<br />

87 Speculum virginum, ed. Jutta Seyfarth, CCCM 5 (Turnhout, 1990), p. 70.<br />

88 Chronik von Petershausen, ed. Ot<strong>to</strong> Feger, Schwäbische Chroniken der Stauferzeit 3<br />

(Sigmaringen, 1956, 2nd ed., 1978), p. 24.<br />

89 Vita Juttae, Prol. 5, p. 178: “sua instituta strenue observans cus<strong>to</strong>dienda fijiliabus<br />

tradidit.”

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