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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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4 kienzle and s<strong>to</strong>udt<br />

A <strong>Companion</strong> <strong>to</strong> <strong>Hildegard</strong> <strong>of</strong> <strong>Bingen</strong> builds on these earlier studies and<br />

presents <strong>to</strong> an English-speaking audience various facets <strong>of</strong> <strong>Hildegard</strong>’s<br />

his<strong>to</strong>rical persona and her cultural signifijicance, so that the reader can<br />

grasp and appreciate the scope <strong>of</strong> <strong>Hildegard</strong>’s life and works. The present<br />

volume provides a valuable scholarly collection from international<br />

scholars for both undergraduate and graduate students. The <strong>Companion</strong>’s<br />

thought-provoking chapters not only constitute informative analyses <strong>of</strong><br />

<strong>Hildegard</strong>’s oeuvre but also identify avenues for further exploration.<br />

Five essays in the volume—two by Franz Felten, as well as those by<br />

Constant Mews, Felix Heinzer, and Justin S<strong>to</strong>ver—elucidate the rich<br />

context—his<strong>to</strong>rical, monastic, scholastic, and spiritual—for <strong>Hildegard</strong>’s life<br />

and works. Felten’s essays scrutinize available documents for the his<strong>to</strong>ry<br />

<strong>of</strong> Disibodenberg and Rupertsberg. His fijirst essay addresses the question,<br />

“What Do We Know About the Life <strong>of</strong> Jutta and <strong>Hildegard</strong> at Disibodenberg<br />

and Rupertsberg?” Of the many questions concerning Disibodenberg,<br />

one <strong>of</strong> the most frequently posed, and still unresolved, is: where did <strong>Hildegard</strong><br />

live? Or more precisely: where was <strong>Hildegard</strong>’s cloister? We know that<br />

<strong>Hildegard</strong> was “enclosed” with Jutta and another girl at Disibodenberg in<br />

1112 and that Jutta made her monastic vows at this time. Nowhere, however,<br />

do we learn where the cloister was situated or what it looked like. Felten<br />

draws on the 9th-century rule <strong>of</strong> Grimlaicus <strong>to</strong> describe what such cloisters<br />

would normally look like: small and narrow spaces, with contact with the<br />

outside world only through a window. In many cases, several people lived<br />

in the same enclosure. They would have had private cells connected by a<br />

window in order <strong>to</strong> enable joint prayer and reading <strong>of</strong> Scripture, as well<br />

as <strong>to</strong> accommodate common meals. If possible, the enclosure contained a<br />

small garden for growing vegetables and for taking in the fresh air. In conclusion,<br />

Felten explores textual evidence <strong>to</strong> reconstruct the everyday lives<br />

<strong>of</strong> <strong>Hildegard</strong> and Jutta at Disibodenberg and Rupertsberg.<br />

In “St Disibod and the His<strong>to</strong>ry <strong>of</strong> the Disibodenberg up <strong>to</strong> the Beginning<br />

<strong>of</strong> the 12th Century,” Felten surveys the sources available for an exploration<br />

<strong>of</strong> the early his<strong>to</strong>ry <strong>of</strong> the Disibodenberg and analyses the limited<br />

number <strong>of</strong> sources that the archivist and his<strong>to</strong>rian Heinrich Büttner identifijied<br />

in his 1934 study as useful for such his<strong>to</strong>rical reconstruction. The<br />

sparse documentary his<strong>to</strong>ry <strong>of</strong> the Disibodenberg begins with Archbishop<br />

Ausstellungshalle der Bundesrepublik Deutschland, Bonn und dem Ruhrlandmuseum Essen<br />

(Munich: Hirmer; Bonn and Essen: Kunst- und Ausstellungshalle der Bundesrepublik<br />

Deutschland, Bonn und dem Ruhrlandmuseum Essen, 2005).

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