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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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intertextuality in hildegard’s works 149<br />

elsewhere <strong>to</strong> the process <strong>of</strong> conception, which she compares <strong>to</strong> the wheel<br />

<strong>of</strong> a mill.64 Not only the physical but also the moral processes within the<br />

body are viewed as wheel-like. In Expositio 56 on Luke 21:25–33, the magistra<br />

describes the virtues moving in circles, <strong>to</strong>ssed about by tempests in<br />

the body “like the wheels that Ezekiel saw.”65 This movement recalls Ezekiel<br />

1:19, the movement <strong>of</strong> the wheels in conjunction with a human(oid)<br />

body.66 <strong>Hildegard</strong>’s depiction <strong>of</strong> the virtues, which struggle tempestuously<br />

within the body and compete against vices <strong>to</strong> gain sway over the human,<br />

mirrors the cosmic struggle between good and evil, which, correspondingly,<br />

endures until the end <strong>of</strong> the world, like the wheel that never s<strong>to</strong>ps<br />

turning or a circle with no end or beginning.67 Here as elsewhere, <strong>Hildegard</strong><br />

reveals the Pla<strong>to</strong>nic concept <strong>of</strong> microcosm and macrocosm, and<br />

notably the influence <strong>of</strong> Origen as he describes the mundus minor within<br />

the human being.68<br />

In Expositio 1, <strong>Hildegard</strong> describes another sort <strong>of</strong> circular motion, the<br />

movement <strong>of</strong> flying creatures. God the crea<strong>to</strong>r, through the magistra’s<br />

voice, addresses the birds on their appropriate behavior and states: “Trace<br />

the circles <strong>of</strong> your flight” (gira circulos uolatus tui).69 This language may<br />

echo Jerome’s paraphrasing <strong>of</strong> Ecclesiastes 1:6 in his Commentary on Ezekiel,<br />

where he explains Ezekiel 1:15–18—“the wheel in the midst <strong>of</strong> the<br />

wheel” (rota in medio rote)—and says: “The Spirit goes circling in a circle<br />

and returns in<strong>to</strong> its own circles” (gyrans girando uadit spiritus et in circulos<br />

suos reuertitur).70<br />

In Symphonia 52, O Euchari columba, <strong>Hildegard</strong> associates the circular<br />

motion <strong>of</strong> a flying creature with the spheres <strong>of</strong> the Spirit’s movement.<br />

64 Diu. operum 1.4.14, pp. 145–46, ll. 19–28; 1.4.29, p. 164, ll. 44–50; Expo. Euang., 9, p. 213,<br />

ll. 89–90.<br />

65 Expo. Euang., 56, p. 328, ll. 11–14: “Nam uirtutes, scilicet racionalitas, fijides, spes, caritas<br />

et ceterae uires animae, celorum, quia celestes sunt, mouebuntur, pre tempestatibus quae<br />

in ambitu corporis sunt, euntes et redeuntes, quasi rotae quas Ezekiel uidit.”<br />

66 Ezek. 1:19: “Cumque ambularent animalia ambulabant pariter et rote iuxta ea. Et cum<br />

eleuarentur animalia de terra eleuabant simul et rote.”<br />

67 For an overview <strong>of</strong> the virtues and vices in the Ordo uirtutum and the 12th century<br />

generally, as well as an exploration <strong>of</strong> the concept’s roots in Origen, Gregory the Great, and<br />

Pla<strong>to</strong>, see Speaking New Mysteries, pp. 199–244.<br />

68 Speaking New Mysteries, pp. 84–92.<br />

69 Expo. Euang., p. 189, ll. 50–51.<br />

70 Jerome, Commentarii in Hiezechielem, ed. Franciscus Glorie, CCSL 75 (Turnhout,<br />

1964), I, 1.15–18, pp. 19–20, l. 481. Glossa ordinaria, II, p. 225, has a marginal note on “rota in<br />

medio rote” from Jerome. The Vulgate for Eccl. 1:6 reads: “gyrat per meridiem et flectitur ad<br />

aquilonem lustrans universa circuitu pergit spiritus et in circulos suos regreditur.”

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