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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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st disibod and the his<strong>to</strong>ry <strong>of</strong> the disibodenberg 41<br />

<strong>Hildegard</strong>’s vita <strong>of</strong> St Disibod has been read and copied since the Middle<br />

Ages and has been embellished multiple times (even the Acta Sanc<strong>to</strong>rum<br />

refers <strong>to</strong> childish and gossipy additions), such that a tangled mass<br />

<strong>of</strong> ostensible information—and its associated interpretations—has surrounded<br />

the his<strong>to</strong>rical Disibod until the present.<br />

Büttner sought “<strong>to</strong> cut away the entwined wreath <strong>of</strong> legend <strong>to</strong> reveal<br />

as purely as possible the his<strong>to</strong>rical kernel underneath.”14 He saw in the<br />

Vita sancti Disibodi episcopi both the “expression” <strong>of</strong> the imaginings <strong>of</strong> a<br />

learned woman from the 12th century and also (as in the concise narrative<br />

comments on the charters) a “recording <strong>of</strong> the living folk narratives about<br />

the old his<strong>to</strong>ry <strong>of</strong> the Disibodenberg,”15 which he further describes as a<br />

“refijined form <strong>of</strong> the folk tradition, in which the most luxuriant tendrils <strong>of</strong><br />

the poetic folk legend were plucked.”16 This may have some basis in the<br />

fact that <strong>Hildegard</strong> objected vehemently <strong>to</strong> foolish legends and rationales<br />

about the fate <strong>of</strong> the monastery, such as those that circulated among the<br />

common people.17<br />

In more recent times, the “symbolic content <strong>of</strong> the vita,”18 as well as<br />

its his<strong>to</strong>rical value,19 has received emphasis. Haverkamp, for example,<br />

describes the Vita sancti Disibodi episcopi as presenting “diffferentiating<br />

his<strong>to</strong>rical views,” “his<strong>to</strong>ry that appears realistic,” and a “deeply-anchored<br />

his<strong>to</strong>rical consciousness.”20<br />

<strong>Hildegard</strong>’s disclosures will therefore be discussed in more detail here,<br />

if for no other reason than <strong>to</strong> enable a comparison between her text and<br />

the his<strong>to</strong>ry as it is designated by later authors—from Trithemius (around<br />

1500) <strong>to</strong> Franz Xaver Remling (1836) and Heinrich Büttner (1934) and up<br />

<strong>to</strong> the present (at least up <strong>to</strong> Fell [1999])—and also <strong>to</strong> distinguish between<br />

sources and interpretations.<br />

14 Büttner, SMBO, p. 7, “den geschichtlichen Kern aus dem um ihn gerankten Sagenkranz<br />

möglichst rein herauszuschälen.”<br />

15 Ibid., p. 10, “Fixierung der im Volke lebenden Erzählungen von der alten Geschichte<br />

Disibodenbergs.”<br />

16 Ibid., p. 11, “geläuterte Form der Volkstradition, bei der die üppigsten Ranken der<br />

dichtenden Volkslegende abgeschnitten waren.”<br />

17 V. Disib., AA.SS., p. 597; PL 197:1114–15; Two Hagiographies, pp. 56–57.<br />

18 Alfred Haverkamp, “<strong>Hildegard</strong> von Disibodenberg-<strong>Bingen</strong>. Von der Peripherie zum<br />

Zentrum,” in Umfeld, p. 19.<br />

19 Eberhard J. Nikitsch, Kloster Disibodenberg. Religiosität, Kunst und Kultur im mittleren<br />

Naheland (Regensburg, 1998), p. 15, “erstaunlich präzise” [as<strong>to</strong>nishingly precise].<br />

20 Haverkamp, “<strong>Hildegard</strong> von Disibodenberg-<strong>Bingen</strong>,” in Umfeld, pp. 15–69, at pp. 29–30,<br />

“diffferenzierende his<strong>to</strong>rische Ansichten,” “realistisch erscheinende Geschichte,” “tief verankertes<br />

his<strong>to</strong>risches Bewusstsein.”

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