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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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hearing the heavenly symphony 173<br />

Dendermonde, St.-Pieters-&-Paulusabdij, Klosterbibliothek 9 (Dendermonde):<br />

Compiled c.1163–1175 at the Rupertsberg, and at the Cistercian<br />

cloister <strong>of</strong> Villers by November 1, 1176. Folios 153r–170v contain 57 notated<br />

songs with rubrics indicating liturgical occasion and genre. O frondens<br />

virga and Laus trinitati are notated only in this manuscript, which may<br />

once have contained a larger reper<strong>to</strong>ry. As extant, the manuscript is probably<br />

missing its opening gathering, and two <strong>of</strong> the remaining three gatherings<br />

with music are defective: a folio is missing between fols 155v and<br />

156r and between 164v and 165r.40 The manuscript may have contained<br />

approximately seven additional songs and may have opened with the<br />

Ordo.41 It includes copies <strong>of</strong> <strong>Hildegard</strong>’s Liber vite meri<strong>to</strong>rum and Elisabeth<br />

<strong>of</strong> Schönau’s Liber viarum Dei.<br />

Vienna, Österreichische Nationalbibliothek, 1016: Most <strong>of</strong> the manuscript<br />

dates from the 13th century, probably stemming from the monastery<br />

<strong>of</strong> St Maria in Rommersdorf, near Bonn, and it contains <strong>Hildegard</strong>’s<br />

Liber vite meri<strong>to</strong>rum (fols 1r–108v) and Solutiones (fols 108v–115v). However,<br />

one gathering (fols 116r–121v) was written during the 12th century at<br />

Rupertsberg and contains letters incorporating 21 song texts <strong>of</strong> the “liturgical<br />

miscellany.” This gathering also contains notated versions <strong>of</strong> <strong>Hildegard</strong>’s<br />

Kyrie and Alleluia, O virga mediatrix on fol. 118v, and <strong>Hildegard</strong>’s<br />

invented alphabet (litterae ignotae), entered on music staves, followed<br />

by a repeat <strong>of</strong> the notated version <strong>of</strong> the second Kyrie on fol. 119r. (The<br />

Kyrie and Alleluia are also notated in the Riesenkodex.) The Kyrie is a<br />

contrafactum based on <strong>Hildegard</strong>’s responsory O lucidissima apos<strong>to</strong>lorum,<br />

found notated in Dendermonde. Since Dendermonde does not contain<br />

the Kyrie itself, the notated music <strong>of</strong> Vienna 1016 probably postdates Dendermonde’s<br />

compilation.<br />

Wiesbaden, Hessische Landesbibliothek 2 (Riesenkodex): The manuscript<br />

was compiled at the Rupertsberg and contained <strong>Hildegard</strong>’s principal<br />

works prior <strong>to</strong> her death in 1179. Her vita and other materials relevant<br />

<strong>to</strong> her cult were added between 1182 and 1188. Folios 132va–134rb contain<br />

the Scivias songs and the short form <strong>of</strong> the Ordo. Folios 404rb–407vb contain<br />

the “liturgical miscellany” with its 30 song texts. The two fijinal gatherings<br />

(fols 466ra–481vb) contain 75 notated songs and the notated Ordo.<br />

40 Newman, Introduction <strong>to</strong> Symph., p. 338.<br />

41 Dronke, Introduction <strong>to</strong> Ordo, p. 495.

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