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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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72 constant j. mews<br />

Augustinian community at Andernach. This was home <strong>to</strong> the magistra<br />

Tenxwind, a fijigure known <strong>to</strong> <strong>Hildegard</strong> who apparently objected <strong>to</strong> the<br />

extravagant behavior she had heard was being followed by <strong>Hildegard</strong>’s<br />

nuns at her established community <strong>of</strong> Rupertsberg, apparently soon after<br />

its foundation c.1150. Tenxwind’s critique <strong>of</strong> the extravagant garb worn<br />

by <strong>Hildegard</strong>’s nuns on this occasion matches the strict moralism <strong>of</strong> the<br />

Speculum virginum, with its aspersions on extravagant dress.53 <strong>Hildegard</strong><br />

is likely <strong>to</strong> have known the work, with its emphasis on interior nobility<br />

and cultivation <strong>of</strong> inward virtue. Yet even if she was excited by the<br />

pedagogical possibility <strong>of</strong> using visual imagery <strong>to</strong> encourage her female<br />

disciples <strong>to</strong> pursue a spiritual life, she also sought <strong>to</strong> develop a quite distinct<br />

perspective that was not encouraged by the author <strong>of</strong> the Speculum<br />

virginum, that <strong>of</strong> visionary experience. Whereas in the dialogues <strong>of</strong> the<br />

Speculum virginum, Peregrinus provided learned commentary on illustrations<br />

<strong>to</strong> edify Theodora, <strong>Hildegard</strong> preferred <strong>to</strong> present her own images<br />

in the form <strong>of</strong> a vision.<br />

Visions and the Cause <strong>of</strong> Religious Reform<br />

In so doing, <strong>Hildegard</strong> found her most powerful authority in the writings<br />

<strong>of</strong> Isaiah, Daniel, Ezekiel, and above all John the Divine. She also drew<br />

inspiration for her vision <strong>of</strong> Ecclesia from the Pas<strong>to</strong>r Hermas, a 2nd-century<br />

dream narrative known <strong>to</strong> the Fathers <strong>of</strong> the Church, which recognized<br />

the legitimacy <strong>of</strong> prophecy within the Church but was not accorded full<br />

canonical status within ecclesiastical tradition. There were other visionary<br />

accounts <strong>to</strong> which she could have had access. A rare example <strong>of</strong> a visionary<br />

account actually written by a woman in the early Church is that <strong>of</strong><br />

Perpetua (d. 203), preserved within the Passio SS. Perpetuae et Felicitatis.54<br />

Most visionary accounts prior <strong>to</strong> the 12th century are, however, relatively<br />

impersonal. They are reports about someone else’s encounter with<br />

Christ or the Virgin, or some experience <strong>of</strong> the life without dwelling on<br />

the actual experience <strong>of</strong> the vision. This certainly is the case with those<br />

53 See the exchange between <strong>Hildegard</strong> and Tenxwind, Epis<strong>to</strong>larium, I, 52–52R, pp. 125–<br />

30, and Mews, “<strong>Hildegard</strong> <strong>of</strong> <strong>Bingen</strong>, the Speculum Virginum and Religious Reform,” in<br />

Umfeld, pp. 237–67.<br />

54 See Jacqueline Amat, ed., Passion de Perpétue et de Félicité suivi des Actes, SC 417<br />

(Paris, 1996), pp. 51–66, for discussion <strong>of</strong> its authorship and transmission.

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