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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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78 constant j. mews<br />

the language <strong>of</strong> visionary discourse was very diffferent. She never wrote<br />

about personal mystical experiences being inspired by meditation on the<br />

crucifijied Christ. Her conception <strong>of</strong> the Virgin is that <strong>of</strong> a much more <strong>of</strong> a<br />

cosmic fijigure through whom Christ becomes incarnate <strong>to</strong> humanity. She<br />

viewed the incarnation as the corners<strong>to</strong>ne for a vision <strong>of</strong> creation as a<br />

whole, which was sustained by the Holy Spirit. Rather than identify herself<br />

with the experiences <strong>of</strong> the Virgin in the manner Rupert describes in<br />

commenting on the Song <strong>of</strong> Songs, she defijined herself as “a frail human<br />

being, ash <strong>of</strong> ash and fijilth <strong>of</strong> fijilth” (homo fragilis et cinis cineris, et putredo<br />

putredinis), a deliberate comparison <strong>of</strong> herself with Job as interpreted<br />

by Gregory the Great, the archetypal human being who has <strong>to</strong> learn the<br />

ways <strong>of</strong> God.73<br />

<strong>Hildegard</strong> employs visionary descriptions, not <strong>to</strong> describe the next<br />

world, but <strong>to</strong> present her understanding <strong>of</strong> the way that the human soul<br />

relates <strong>to</strong> God. There can be no doubting the originality <strong>of</strong> her conception<br />

<strong>of</strong> both human nature and its eternal destiny. Her understanding <strong>of</strong> the<br />

uiriditas or life force animating the natural world provided her with a particularly<br />

vivid metaphor <strong>to</strong> explain the nature <strong>of</strong> the divinity that became<br />

incarnate in Christ himself. In both the fijinal stanza <strong>of</strong> the Ordo uirtutum,<br />

and in the fijifth vision <strong>of</strong> the Liber diuinorum operum, <strong>Hildegard</strong> alludes<br />

<strong>to</strong> the suffferings <strong>of</strong> Christ as a consequence <strong>of</strong> a weakening <strong>of</strong> uiriditas in<br />

creation.74 Unlike Rupert <strong>of</strong> Deutz, however, her primary focus was not so<br />

much on the sufffering <strong>of</strong> Christ as on the mystery <strong>of</strong> the incarnation as the<br />

path through which vitality could be res<strong>to</strong>red <strong>to</strong> creation as a whole.<br />

<strong>Hildegard</strong>’s visions are very diffferent from those <strong>of</strong> Otloh <strong>of</strong> St Emmeram<br />

in scale and conception. Yet it can be helpful <strong>to</strong> consider how both Otloh<br />

and <strong>Hildegard</strong> employed visions <strong>to</strong> defijine afresh “the ways <strong>of</strong> the Lord,”<br />

not just for monks, but for clerics and laypeople alike. Visions provided a<br />

means for communicating a message both <strong>to</strong> educated and uneducated<br />

alike. A scholar could observe that her visions drew on a rich reper<strong>to</strong>ire <strong>of</strong><br />

scriptural imagery, laden with allegorical signifijicance. At the same time,<br />

those who lacked formal instruction in exegesis could relate the visual<br />

images which she described <strong>to</strong> their own experience.<br />

73 Gregory the Great, Moralia in Iob 3.31, ed. Marc Adriaen, CCCM 143 (Turnhout, 1979),<br />

p. 152.<br />

74 Diu. operum 3.5.8, p. 418; Ordo, p. 521.

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