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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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12 kienzle and s<strong>to</strong>udt<br />

also an (illustrated) edition <strong>of</strong> the Vita Ruperti (Oppenheim, 1524) and<br />

the Physica (Strasbourg, 1533). At the time <strong>of</strong> the Council <strong>of</strong> Trent and<br />

the Catholic Reform, <strong>Hildegard</strong> became the fijigurehead <strong>of</strong> an explicitly<br />

anti-Protestant, ultramontane Catholic theology. As such, her works were<br />

included in large collections <strong>of</strong> patristic and medieval texts.<br />

Between the 16th and 18th centuries, numerous textual tendencies<br />

appeared that pushed the interpretation <strong>of</strong> <strong>Hildegard</strong>’s works <strong>to</strong>wards<br />

very diffferent ideological emphases that reflect the tension between<br />

humanism and confessionalism. <strong>Hildegard</strong> was put forward variously<br />

as a pro<strong>to</strong>typical follower <strong>of</strong> Wyclif, Hus, and Luther; an opponent <strong>of</strong><br />

the Jesuits and popes; and a stern admonisher <strong>of</strong> the clergy, politics, and<br />

worldly status. In these cases, <strong>Hildegard</strong>’s works were frequently mixed<br />

with those <strong>of</strong> Joachim <strong>of</strong> Fiore, Birgitta <strong>of</strong> Sweden, Elisabeth <strong>of</strong> Schönau,<br />

and other prophetic authors. <strong>Hildegard</strong> was <strong>of</strong>ten stylized as the “trumpet<br />

<strong>of</strong> God,” making an urgent call <strong>to</strong> repentance. Finally, Embach argues that<br />

the modern reception <strong>of</strong> <strong>Hildegard</strong> is characterized by bold stereotyping,<br />

and the basis <strong>of</strong> textual transmission occurs with these stereotypes continuously<br />

in the background.<br />

George Ferzoco, in “The Canonization and Doc<strong>to</strong>rization <strong>of</strong> <strong>Hildegard</strong><br />

<strong>of</strong> <strong>Bingen</strong>,” asserts that the canonization process <strong>of</strong> <strong>Hildegard</strong> <strong>of</strong> <strong>Bingen</strong><br />

holds the dubious—or honorable—distinction <strong>of</strong> being the longest in the<br />

his<strong>to</strong>ry <strong>of</strong> the Church. Begun shortly after her death, several attempts were<br />

made by the see <strong>of</strong> Mainz over the course <strong>of</strong> the following decades; however,<br />

each efffort was thwarted, largely due <strong>to</strong> administrative shortcomings<br />

and particularly <strong>to</strong> poor collection and transmission <strong>of</strong> testimony. Despite<br />

this, <strong>Hildegard</strong> was not only regarded as a living holy woman but also, in<br />

the years following her death, as a saint. This article demonstrates the<br />

ways in which the magistra’s cult flourished despite the absence <strong>of</strong> papal<br />

approbation. Furthermore, it notes the gradual increase in fame and devotion<br />

<strong>to</strong> <strong>Hildegard</strong> over the past century. Finally, it examines the unusual<br />

interest demonstrated by Pope Benedict XVI, which culminated not only<br />

in her canonization in May 2012 but also in the as<strong>to</strong>unding declaration<br />

<strong>of</strong> her being a Doc<strong>to</strong>r <strong>of</strong> the Church in Oc<strong>to</strong>ber <strong>of</strong> the same year. This<br />

study is followed, in an appendix, by a brief presentation <strong>of</strong> one <strong>of</strong> <strong>Hildegard</strong>’s<br />

more unique gifts: the reception <strong>of</strong> a divinely provided alphabet<br />

and language.<br />

In conclusion, this book provides a broad as well as in-depth introduction<br />

<strong>to</strong> <strong>Hildegard</strong> <strong>of</strong> <strong>Bingen</strong>’s works and her place in medieval religious<br />

culture. Moreover, it signals areas where scholars may develop further<br />

research in the fijield. German- and English-speaking scholars explore

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