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<strong>And</strong> let me tell you, it's a lot of sacred art: Botticelli, Granacci, Tintoretto, Dolci,<br />
Rembrandt, Ribera, Rubens, Van Dyck. Twenty-seven rooms full. A priceless collection.<br />
Donated by wealthy alums? Not quite. Most of it was purchased by Bob Jones, Jr., himself,<br />
<strong>the</strong> second of <strong>the</strong> three Bob Joneses.<br />
You see, Dr. Bob II had spent some summers in <strong>the</strong> 1930s as a tour guide in Rome,<br />
Paris, and Vienna, and had acquired a taste for fine art. Luckily, when he returned to Europe<br />
in <strong>the</strong> late forties, he was able acquire quite a bit of it at very reasonable prices. Hmmm, I<br />
thought. What do you suppose would be <strong>the</strong> chances of a white supremacist who came to<br />
Europe in <strong>the</strong> thirties knowing someone who knew someone who had recently come across<br />
some "misplaced" art in <strong>the</strong> late 1940s? In fact, I thought I recognized a couple pieces that<br />
used to belong to my grandfa<strong>the</strong>r, who was a big collector of sacred Christian art before he<br />
was hauled off to Buchenwald. Nah. Maybe I was jumping to conclusions.<br />
Still with some time to kill, we decided to hop on <strong>the</strong> three o'clock tour with a delightful<br />
Christian family of four. We had a lovely time, even had some laughs, until we got to <strong>the</strong><br />
<strong>the</strong>ater, where our bluff was finally called. On <strong>the</strong> stage were several gigantic crosses, scenery<br />
for what <strong>the</strong>y call "The Living Gallery" This involves recreating great works of sacred art<br />
using real people in tableaux. I was very excited about getting <strong>And</strong>rew to take a picture of me<br />
hanging from one of <strong>the</strong> crosses. Then we met R.J. From <strong>the</strong> public liaison's office.<br />
"I'll take <strong>the</strong>m from here," R.J. told our tour guide. We didn't like <strong>the</strong> way he said that.<br />
Nor <strong>the</strong> way he said, "Let me tell you a little about <strong>the</strong> <strong>the</strong>ater. The floor is from Rockefeller<br />
Center. But it's no Saturday Night Live. "<br />
The jig was up.<br />
"Can I just ask what you're down here looking for?" he inquired pointedly.<br />
"Well, it's a long story," I said, willing, but not really eager, to go into <strong>the</strong> whole boating-accident-depression-salvation-boxes-of-blood<br />
thing again.<br />
"Uh-huh. Look. We've had enough of being made fun of," R.J. said with more than a<br />
touch of bitterness. Then turning to <strong>And</strong>rew, he added, "I hope this isn't awkward for you."<br />
"Oh no," said <strong>And</strong>rew cheerfully. "We've been getting this all day." Actually, we<br />
hadn't. But I thought it was a nice touch.<br />
R.J. continued. "If you're legit, I'd be happy to show you anything you want to see.<br />
But we're not going to put our heads on <strong>the</strong> chopping block again." I had to admire his direct-