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Walker-My_Musical_Ex.. - Walter Cosand

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DEPPE AND SCHARWENCKA 129<br />

compared with painting. There was an element of<br />

great and massive grandeur, a tremendous force of<br />

will, and a fervent glow of imagination, which told<br />

even more when he played en rohe de chambre in the<br />

Conservatorium, when he was just enjoying himself<br />

among those who looked up to and admired him, than<br />

when he was in the concert-room, weighted with<br />

responsibility attaching to his name and his position.<br />

He had a very interesting class on teaching, harmony,<br />

method, etc., which he himself conducted in person<br />

every week. And his manner of imparting know-<br />

ledge was most clear and full of suggestion. He had<br />

his own special way, too, of stimulating his pupils,<br />

and calling forth their powers. When he said, ' Vor-<br />

warts !' it seemed to inspire the most timid pupils to<br />

push forward at all hazards. Liszt greatly admired<br />

and esteemed him ; and to have come from under his<br />

guidance was a passport to the Meister's favour.<br />

I naturally rebelled rather at Herr Deppe's uncom-<br />

promising condemnation of all my pieces—I should<br />

rather say his demand that I should give up all the<br />

pieces which were part and parcel of my life, and<br />

start afresh— -and here I had the pleasing prospect of<br />

a shorter and more pleasant road to the goal. And<br />

so, for the first few lessons, I was really charmed<br />

with Seharwencka ; but then Deppe's prediction began<br />

to verify itself. I grew restless and anxious, and, in<br />

addition to my studies with Seharwencka, I began to<br />

try and feel my way through dififerent books on<br />

9

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