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Walker-My_Musical_Ex.. - Walter Cosand

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48 MY MUSICAL EXPERIENCES<br />

grace, the charm and the repose which perfect mastery<br />

alone can give.<br />

What wonder, then, if I was at once captivated by<br />

the Liszt school in Sgambati, and all unconsciously<br />

at first, but most consciously in a very few lessons,<br />

gave myself up to the task of becoming a ' Lisztian-<br />

erin,' with a zeal and devotion which Sgambati, in a<br />

letter introducing me to Liszt some months later,<br />

described as ' the enthusiasm of a neophyte who has<br />

just embraced a new faith ' ? There was no more<br />

thought then of going to Germany, for not only did<br />

I hear Sgambati play when he gave me a lesson, but<br />

I often met him in society, where he always played<br />

and besides this, he never failed to let me know when<br />

there were practices going on at his house, or rehearsals<br />

at the Sala Dante, and he used to let me<br />

stand beside him and turn over the leaves for him on<br />

these occasions. The more I heard of his playing,<br />

the more I strove with all my might to follow in his<br />

steps, though ' afar off' ; and perhaps I might have<br />

done so, though in a very limited sense, if Sgambati<br />

had not unluckily suggested my taking out the<br />

diploma of the St. Cecilia Academy. I say unluckily,<br />

for a great part of the work which the candidate for<br />

the diploma had to prepare was of a kind which I<br />

could not afterwards utilize, and it kept me, more-<br />

over, for a year and a half on a sort of strain that<br />

was not stimulating, but quite the contrary. To pre-<br />

pare up to metronomic time, and keep in practice the<br />

;

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