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Walker-My_Musical_Ex.. - Walter Cosand

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MY MUSICAL EXPERIENCES<br />

dark he could lay his hand on anything that was<br />

wanted without a moment's loss of time.<br />

And now that I allude to order, I feel bound to say<br />

that all who studied with Henselt found that they<br />

were learning from him a good deal more than music.<br />

If there was a spot or even a crease on a cover of the<br />

piece brought to him, a new cover had to be supplied.<br />

No pupil ever dared to lay one piece inside another<br />

on the desk when playing to him ; the first piece was<br />

to be removed before the other was laid on the music-<br />

desk. This precision was carried into all that one<br />

studied. The shakes, for instance, and their fingering,<br />

must be all written out, and likewise any passage in<br />

which there was a difficulty in the fingering ; and he<br />

insisted that all this should be done so clearly and<br />

with such exactness, that anyone who took up the<br />

piece on which this was written out could make no<br />

mistake as to what was intended.<br />

Some of Henselt's friends and pupils were inclined<br />

to turn me into ridicule for saying that to be under<br />

him was to be in ' Die Schule der Demuth '—the<br />

school of humility. But when the Meister heard the<br />

expression, he gave a cordial smile of approval and<br />

looked well pleased. He did, indeed, stimulate his<br />

pupils to strive and aim at virtuosity, yet the special<br />

tendency of his teaching—a tendency which should<br />

be the true end of all earnest study—was to awaken<br />

and intensify in those who came under his influence<br />

a perception and appreciation of an excellence lying

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