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Walker-My_Musical_Ex.. - Walter Cosand

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54<br />

MY MUSICAL EXPERIENCES<br />

going to see her, and telling her that some of the<br />

finest players had had similar experiences, but finally<br />

decided that the very best way to help her a little<br />

would be to give her some agreeable surprise during<br />

the hours of suspense, and thus to divert her thoughts<br />

into another channel at that critical time. But how<br />

to do this was the question ; and, after many half-<br />

formed plans, we settled on the following. Not very<br />

English, my readers will say. We wrote a letter to the<br />

young lady, in which we praised her talent, expressed<br />

ourselves her sincere well-wishers, and begged her not<br />

to let her thoughts revert to what was after all, though<br />

a misfortune, yet one that could reflect no real dis-<br />

credit on her; the piece (a concert study by Liszt)<br />

bemg, moreover, of enormous difficulty—from begin-<br />

ning to end one maze of intricate passages. We did not<br />

sign our names to the letter, but concluded by tellmg<br />

her we should be at the concert, and fully expected<br />

that she would play admirably. I took the letter, ac-<br />

companied by a book, called Volere e potere, to the floor<br />

on which the young lady lived ;<br />

and being very anxious<br />

to avoid recognition, not only put on a very thick gauze<br />

veil, but when the door was opened by Signorina<br />

G -'s mother, handed her the parcel without saying<br />

a word, and hurried away. Had I spoken, my foreign<br />

accent would have betrayed my nationality, and given<br />

them a clue as to who I was. I hurried away, there-<br />

fore, in silence, and reached home, congratulating<br />

myself that neither on the staircase nor at the street

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