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Walker-My_Musical_Ex.. - Walter Cosand

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256 MY MUSICAL EXPERIENCES<br />

Ijlaced twelve hours every week of his own time at<br />

Eubinstein's disposal until the difi&culty should have<br />

been tided over, and the recusant professors should<br />

have been replaced. I feared not only that the<br />

Meister was overtaxing his physical powers, but I<br />

saw (as I invariably do) ' rocks ahead,' and I ventured<br />

to entreat of him to think well before giving away so<br />

many hours of a life so valuable to art, and so dear<br />

to us his followers (I may say disciples) ; and this,<br />

too, in a direction which was wholly contrary to his<br />

lifelong bias. He promised me that he would think<br />

it over, and then (it was indeed a day of days) he sat<br />

down to the piano, and played his own Aurora Valse,<br />

and a considerable part of his Concerto. Taking up<br />

Beethoven's E Flat Concerto, he allowed me to play<br />

it all through to him, glancing en passant at the<br />

printed fingering (Eheinecke's edition), and showing<br />

me why, and wherein, he differed from it. He im-<br />

pressed me during this lesson as he had never before<br />

done in the same degree with the conviction that, as<br />

regards ideal purity of tone and faultless beauty of<br />

expression, he stood— perhaps wUl ever stand— quite<br />

alone. In his presence all false pretences vanished,<br />

and every shred of vanity and self-conceit fell away,<br />

leaving behind thena devotion to the pursuit of an<br />

unattainable ideal, and grateful reverence for the<br />

man who, ever reaching and aspiring upwards and<br />

onwards from height to height, compelling, by the<br />

force of his strenuous will, vista after vista to open

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