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Walker-My_Musical_Ex.. - Walter Cosand

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HENSELT 173<br />

he meant by legato and ' binding '; and one may<br />

perhaps ask whether I was much surprised—whether<br />

my consternation was not great on hearing something<br />

which I was utterly unable to follow ' even afar off.'<br />

Ajid I reply that my surprise, my consternation—if<br />

you will have it more strongly, my despair—did not<br />

come until I had been for some time under the<br />

Meister's influence. To feel one's own impotence— ^to<br />

appreciate the last fine touches of art—one must one's<br />

self be on the quest of the unattainable ; and since I<br />

have known Henselt this has dawned on me, and<br />

more and ever more do I appreciate him. I tried<br />

hard to follow out Henselt' s intentions in this first<br />

lesson ; and he was very kind to me—looked at my<br />

hand, which was, he said, a good one, though rather<br />

small in size ; he showed his hands to me, and<br />

pointing to the palms, which were quite flat, the<br />

result of extension, he said, ' Just look at the hand<br />

leather—how it is stretched !' He gave me on that<br />

day a study for widening the hand ; and in spite of<br />

the blow given to my amour p7-opre by his choosing to<br />

ignore that I had a large repertoire, and would have<br />

liked to play if only one piece to him, I was on the<br />

whole far from being dissatisfied at the prospect<br />

before me.<br />

His wife came in just as I was rising to go, and<br />

observed to him, ' She has a very sweet touch, has<br />

she not ?'<br />

' She has nofleisch,' was the reply, in a surly tone.<br />

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