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Walker-My_Musical_Ex.. - Walter Cosand

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HENSELT 237<br />

A quotation from tlie brochure, entitled ' Observa-<br />

tions, resulting from long years of experience, on<br />

Pianoforte-playing, and intended as a guide for<br />

teachers and pupils in the Imperial Institutes over<br />

which I am placed, and to be observed by all such<br />

as are therein engaged,' signed Adolf Henselt, will<br />

enable us to form some idea of the nature and extent<br />

of this authority. Henselt begins his observations by<br />

saying that what many people, especially teachers,<br />

are pleased to cavil at and call ' Henselt' s method,'<br />

and to describe as so special and peculiar as to be<br />

neither possible nor desirable for all, is only a simple<br />

and thorough carrying out of those fundamental and<br />

absolutely incontrovertible principles of true art which<br />

all musicians and all teachers are bound to know and<br />

follow, and which are contained in every sound piano-<br />

forte school. He then goes on to define what good<br />

teaching should be ; and in many interesting examples,<br />

taken from pieces with which we all are more or less<br />

familiar, he exposes the superficiality and inaccuracy<br />

which characterize the opposite. The brochure closes<br />

with the authoritative mandate that all teachers of<br />

the pianoforte in these Imperial Institutes shall pro-<br />

vide themselves with a copy of these ' Observations,'<br />

and to the very utmost of their ability teach according<br />

to the principles laid down therein. But not only<br />

were the pianoforte-teachers (whether men or women)<br />

theoretically supposed to teach thia system thoroughly<br />

and conscientiously, observing in all points the dictum

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