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Den talande bokens poetik - Doria

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269<br />

The DAISY revolution also helped the development of the commercial audio<br />

book, which has become very popular in the beginning of the 2000s. A “talking<br />

book” is a non-commercial recording of a book and can only be borrowed in<br />

special libraries by people with diagnosed reading disabilities. An “audio book”,<br />

on the other hand, is a commercial recording and can be bought by anybody who<br />

prefers to listen to a book rather than to read it visually. The audio book has<br />

revolutionized reading culture in contemporary time, as discussed by Paul Du<br />

Gay et al. (1997), Deborah Philips (2007) and Rebecca Fenton (2009).<br />

Chapter 2 also discusses perspectives on voice and communication. The<br />

prosodic elements - tempo, pausing, quantity, intensity, tonality and timbre -<br />

influence the impression that a person gets from another person’s voice<br />

(Engström & Stürmer 1970) and can thus also influence the interpretation made<br />

from listening to an orally performed text. Early studies on vocal communication<br />

(Allport & Cantril 1934; Fay & Middelton 1939; Pear 1931) showed that it is<br />

very hard to separate the impression of a speaker as a person from the<br />

impression of his or her voice. To provide tools for the analysis of research<br />

question 3, the writer of this dissertation reported some earlier studies of how<br />

different listeners defined the prototype of a good and a bad voice in the context<br />

of the Finnish culture of speaking. Maarit Valo (1994), who did some research<br />

about how a good voice was defined in the context of listening to radio, found<br />

that the listeners preferred a male voice rather than a female one. They also liked<br />

a voice that was distinct and clear but melodic: the speaking tempo should be<br />

quite slow but fluent and the voice should not have any voice problems. Kristin<br />

Furu (2004) asked trainee teachers about their opinions of a good teacher’s<br />

voice. They thought that a good voice is easy to hear, it is clear and enjoyable to<br />

listen to and can capture the pupil’s interest. Listeners tend to agree on the<br />

prototype of a good and poor voice.<br />

In Chapter 3, the various aspects of reading, listening and interpretative reading,<br />

which can be regarded as the most developed form of reading, are discussed.<br />

The chapter begins by looking at reading from a cognitive point of view, and<br />

because the informants in this study read with their ears, “reading” is also<br />

examined from a listening perspective. Some results from early research on<br />

reading comprehension and listening comprehension are presented. This is<br />

especially interesting in relation to the informants in the special group in the<br />

research project in this thesis. Donald Spearritt (1962) from Australia found that<br />

there is a specific factor in the brain for listening comprehension, and Claes<br />

Welwert (1984) from Sweden also found that most school pupils have to be 13<br />

years old before they understand a written text as well as a text that they listen<br />

to. This cognitive level of development corresponds to the level of cognitive<br />

development for people with mild mental retardation (see, for example,<br />

Asmervik et.al. 2001; Bakk & Grunewald 2004; Kylén 1981). These facts speak<br />

in favor of the use of talking books as a way to read fiction for young adults with<br />

the function disability of mild mental retardation.

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