Programska knjižica - Hrvatsko filozofsko društvo

Središnju poziciju teme ljubavi u okviru renesansne filozofije treba razumijevati
iz činjenice da je upravo renesansni novoplatonizam bitan segment
renesansne filozofije, a ono što bitno određuje renesansni novoplatonizam jest
sinkretizam koji se očituje primarno kao težnja za onim što povezuje. U skladu
s tom tendencijom onda u novoplatonički koncipiranom ontologijskom sustavu
ključnu poziciju ima ono ‘srednje’, ono ‘između’, što povezuje krajnosti i
što zbog te povezujuće funkcije nužno mora biti dvojakog značaja. Takvu posredničku
ulogu ima prije svega ljubav. Stoga se može zaključiti da renesansni
sinkretizam kulminira upravo u renesansnim traktatima o ljubavi.
Ključne riječi: renesansna filozofija, filozofija ljubavi; Marsilio Ficino, Frane Petrić/
Patricius, Nikola Vitov Gučetić/Gozze
“AMOR – COPULA MUNDI”: RENAISSANCE TRACTS
ON LOVE (FICINO, PETRIĆ, GUČETIĆ)
In no other historical era has the love theme been given such prominence
as in the period of the Renaissance. Indeed, Renaissance texts on love had their
thematic predecessors, notably in the poetry of the troubadours, and later in the
Petrarchan verse, but a fleeting glimpse into the Renaissance tracts, especially
those written in the mid-fifteenth century and later, makes it clear that in terms
of approach and concept they greatly differ from their medieval forerunners.
At the core of this difference lies the introduction of Plato’s doctrine on love
into the Western cultural circle. Namely, the popularity of the Renaissance
thematisation of love should be sought in the revival of the interest in Plato’s
doctrine, rediscovered through the translation of Marsilio Ficino and his commentary
on Plato’s dialogue Symposium.
With his views of love, Ficino also influenced two Croatian philosophers
of the Renaissance: Frane Petrić, who, explicitly to love, devoted his works
L’amorosa filosofia and Il Delfino ovvero del baccio, and Nikola Vitov Gučetić,
whose Dialogo d’amore detto Antos is devoted to the love theme, the latter also
being discussed in his Dialogo della bellezza detto Antos.
Petrić and Gučetić wrote their tracts on love almost a century after Ficino,
and their texts on love, in which Ficino’s influence is undisputed, bring novel
accents in the treatment of the love theme, which will be the focus of this
paper. Our aim is not to present a thorough comparative analysis of the love
concepts of the three Renaissance philosophers, but to outline the novel elements
in Petrić’s and Gučetić’s approach to the philosophy of love in relation
to Ficino. In order to understand these new accents, it is necessary to provide
an insight into the features of Ficino’s concept of love. Therefore the first part
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