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Encyclopedia of Computer Science and Technology

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digital convergence 147which allow winning auction bidders to send money fromtheir credit card or bank account to the seller, who wouldnot otherwise be equipped to accept credit cards. Truemicropayments would extend down to just a few cents.“True” digital cash, allowing for anonymous payments<strong>and</strong> micropayments, has been slow to catch on. However,the successful digital cash system is likely to have the followingcharacteristics:• Protects the anonymity <strong>of</strong> the purchaser (no creditcard information transmitted to the seller)• Verifiable by the seller, perhaps by using one-timeencryption keys• The purchaser can create digital cash freely fromcredit cards or bank accounts• micropayments can be aggregated at a very low transactioncostAs use <strong>of</strong> digital cash becomes more widespread, it is likelythat tax <strong>and</strong> law enforcement agencies will press for theinclusion <strong>of</strong> some way to penetrate the anonymity <strong>of</strong> transactionsfor audit or investigation purposes. They will beopposed by civil libertarians <strong>and</strong> privacy advocates. Onelikely compromise may be requiring that transaction informationor encryption keys be deposited in some sort <strong>of</strong>escrow agency, subject to being divulged upon court order.Further ReadingKou, Weidong. Payment Technologies for E-Commerce. New York:Springer, 2003.Lamb, Gregory M. “ ‘Nickel <strong>and</strong> Diming’ across the Internet.”Christian <strong>Science</strong> Monitor, February 23, 2004, n.p. Availableonline. URL: http://www.csmonitor.com/2004/0223/p13s01-wmgn.html. Accessed July 8, 2007.Orr, Bill. “Cashless Society, Ahoy! Suddenly Micropayments AreHot Again.” ABA Banking Journal 98 (March 2006): ff.Rosenborg, Victoria. PayPal for Dummies. Hoboken, N.J.: Wiley,2005.Warwick, David R. “Violent Crime <strong>and</strong> Cash: The Connection;Privacy Concerns About Digital Cash May Be Overblown.”The Futurist, May 1, 2007, p. 42.digital convergenceSince the late 20th century, many forms <strong>of</strong> communication<strong>and</strong> information storage have been transformed from analogto digital representations (see analog <strong>and</strong> digital).For example, the phonograph record (an electromechanicalanalog format) gave way during the 1980s to a whollydigital format (see cd-rom). Video, too, is now increasinglybeing stored in digital form (DVD or laser disks) rather thanin the analog form <strong>of</strong> videotape. Voice telephony, whichoriginally involved the conversion <strong>of</strong> sound to analogouselectrical signals, is increasingly being digitized (as withmany cell phones) <strong>and</strong> transmitted in packet form over thecommunications network.The concept <strong>of</strong> digital convergence is an attempt toexplore the implications <strong>of</strong> so many formerly disparate analogmedia now being available in digital form. All forms <strong>of</strong>digital media have key features in common. First, they areDigital convergence results from the fact that many formerly analogmedia (such as sound, film, <strong>and</strong> video) are now being acquired<strong>and</strong> processed digitally. Once in digital form, the content can beprocessed <strong>and</strong> played by a variety <strong>of</strong> s<strong>of</strong>tware <strong>and</strong> used on manydifferent platforms ranging from desktop computers to electronicbooks (e-books) <strong>and</strong> portable MP3 music players. Content can alsobe linked <strong>and</strong> organized using hypertext or hypermedia techniques,as on the Web.essentially pure information (computer data). This meansthat regardless <strong>of</strong> whether the data originally representedstill images from a camera, video, or film, the sound <strong>of</strong> ahuman voice, music, or some other form <strong>of</strong> expression,that data can be stored, manipulated, <strong>and</strong> retrieved underthe control <strong>of</strong> computer algorithms. This makes it easierto create seamless multimedia presentations (see multimedia<strong>and</strong> hypertext <strong>and</strong> hypermedia). Services or productspreviously considered to be separate can be combined innew ways. For example, many radio stations now providetheir programming in the form <strong>of</strong> “streaming audio” thatcan be played by such utilities as RealPlayer or Micros<strong>of</strong>tWindows Media Player (see streaming). Similarly, televisionnews services such as CNN can <strong>of</strong>fer selected excerpts<strong>of</strong> their coverage in the form <strong>of</strong> streaming video files. Asmore users gain access to broadb<strong>and</strong> Internet connections(such as cable or DSL), it is gradually becoming feasible todeliver TV programs <strong>and</strong> even full-length feature films indigital format. By the middle <strong>of</strong> the decade, media deliverybegan to proliferate on new platforms that representa further convergence <strong>of</strong> function. Many “smart phones”can play audio <strong>and</strong> video (see smartphone). In July 2007Apple’s iPhone entered the market, combining phone, mediaplayer, <strong>and</strong> Web browsing functions, <strong>and</strong> similar deviceswill no doubt follow (see also pda).Emerging IssuesThe merging <strong>of</strong> traditional media into a growing stream<strong>of</strong> digital content has created a number <strong>of</strong> difficult legal<strong>and</strong> social issues. Digital images or sounds from varioussources can easily be combined, filtered, edited, or otherwisealtered for a variety <strong>of</strong> purposes. As a result, the value<strong>of</strong> photographs as evidence may be gradually compromised.

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