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MEGATRENDS AND MEDIA

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TRANSCULTURAL COMMUNICATION <strong>AND</strong> <strong>MEDIA</strong> ART<br />

modern as a departure from authenticity.“ 8 Turner outlines the conditions<br />

of nostalgic paradigm in the era following the postmodern turn and states<br />

that ontological nostalgia persist, while the elitist framework of studying<br />

mass culture has become unsustainable as a result of breaking down the<br />

boundaries and distinctions between the high and low, the elitist and<br />

mass culture. Also, there are no authoritative norms of valuation, as the<br />

postmodern doctrine of pluralism undermined the foundations of high<br />

culture as the source of dominant valuation criteria.<br />

The role of elitist criticism and of the intelligence in postmodern era is<br />

further obstructed by the phenomenon of democratisation of culture,<br />

the shift towards an equalitarian way of living, as well as by the blurring<br />

of the division between the dominant and opposing culture (if any such<br />

things exist). „...(this junction between culture and social structure)<br />

creates a particular set of problems for the existence of an elite culture<br />

and for social role of intelligentsia.“ 9 He is conident that “postmodern”<br />

theoreticians/academics are condemned to ontological nostalgia, since<br />

each valuation is always dependent on a view to the past 10 and, at the<br />

same time, that nostalgia is a very potent mode of expression of the<br />

diminishing intellectual elite. „The cultural elite, especially where it has<br />

some pretension to radical politics, is thus caught in a constant paradox<br />

that every expression of critique of the mass culture of capitalist societies<br />

draws it into an elitist position of cultural disdain, refraining from its<br />

enjoyments of the everyday reality...“ 11 Turner sees the acceptance<br />

of objects of mass culture by the elite as pseudo-populism, while<br />

their refusal he sees as a nostalgic denial of current culture. „Since in<br />

8 TURNER, B. S.: A note on nostalgia. In Theory, Culture & Society, 1987, Vol. 4,<br />

No. 1, p. 154.<br />

9 TURNER, B. S.: Orientalism, postmodernism and globalism. London, New<br />

York : Routledge, 2003, p. 130. [online]. [2015-01-10]. Available at: .<br />

10 TURNER, B. S.: Orientalism, postmodernism and globalism. London, New<br />

York : Routledge, 2003, p. 118. [online]. [2015-01-10]. Available at: . We cannot agree with Turner’s<br />

notion, as we do not think that each valuation of the past has to necessarily<br />

have positive connotations and thus being labelled nostalgic.<br />

11 TURNER, B. S.: Orientalism, postmodernism and globalism. London, New<br />

York : Routledge, 2003, p. 131. [online]. [2015-01-10]. Available at: .<br />

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