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MEGATRENDS AND MEDIA

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TRANSCULTURAL COMMUNICATION <strong>AND</strong> <strong>MEDIA</strong> ART<br />

B/ Type of occurrence: rhetoric<br />

“Even a laneur, focusing on idleness with all the related ‘vices’, as economic<br />

morality calls them, can be once again seen as an archetype of a particular<br />

form of resistance. (...) A contrario, the laneur calls our attention to a<br />

different type of need: the need for a more open, less domesticated way of<br />

life, to nostalgia for an adventure.” 33<br />

Table 3 (B)<br />

Topic Sources Triggers Mode of<br />

expression<br />

idleness,<br />

forms of<br />

resistance<br />

unboundedness<br />

of life, archetype<br />

of the form of<br />

resistance<br />

contemporary<br />

laneur<br />

fenomenological<br />

descriptions,<br />

irony<br />

Object<br />

adventure<br />

C/ Type of occurrence: rhetoric<br />

“The logic based on the economy of an individual inscribed into a wider<br />

framework of the economy of salvation, which is inherent to Christian<br />

soteriology, has been overcome altogether. Rather, it seems as if the<br />

collective effervescence returned to some kind of Boschian ‘Garden of<br />

Earthly Delights’; to a garden in which the time stops, the moment is<br />

eternalized, which leads to some kind of invagination of the senses. We can<br />

see some symptoms of a radical change in épistémê, which is no longer<br />

based on a rational individual, rather it prioritizes the masses. Tribal masks<br />

are returning bringing about primal force, a force releasing a source of<br />

energy anyone can draw on.” 34<br />

Table 4 (C)<br />

Topic Sources Triggers Mode of<br />

expression<br />

metaphor of<br />

invagination<br />

of sense<br />

Bosch´s artwork<br />

Garden delights<br />

tribal masks/<br />

personas<br />

metonymy<br />

Object<br />

timeless<br />

space<br />

33 MAFFESOLI, M.: O nomádství. Iniciační toulky. Praha : Prostor, 2002, p. 39-<br />

40.<br />

34 MAFFESOLI, M.: Rytmus života. Variácie o postmodernom imaginárne.<br />

Bratislava : SOFA, 2006, p. 112. (Italics belong to the author of the<br />

quotation.)<br />

301

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