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MEGATRENDS AND MEDIA

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TRANSCULTURAL COMMUNICATION <strong>AND</strong> <strong>MEDIA</strong> ART<br />

2 Discourse on method<br />

The aim of this paper is to present the identiication methods of nostalgic<br />

paradigm in socio-cultural theories. Due to the limitations in extent, we<br />

conined to detecting nostalgic paradigm in the works of Michel Maffesoli.<br />

First, we deined and speciied the object of the research - nostalgia, since<br />

even at the initial interpretation Maffesoli texts we have found that the<br />

term is found in various contexts. Thus we have identiied three types of<br />

occurrence of nostalgia:<br />

1.) Standard<br />

The occurrence of the term nostalgia in the sense of a standard term or<br />

a component of the standard lexicon. All the lexical and morphological<br />

variations (nostalgia, nostalgic, etc.) belong to this category. The use<br />

of nostalgia by the author can, but does not necessarily need to be,<br />

conscious.<br />

2.) Thematic<br />

This type of occurrence indicates that the author uses nostalgia<br />

consciously and intentionally to refer to something, describe<br />

something or label something. This type of occurrence reveals the<br />

attitude of the author towards nostalgia and aids in characterizing<br />

nostalgia. With this type, it is not necessary to explicitly use the term<br />

nostalgia.<br />

3.) Rhetoric<br />

Indicates the nostalgic nature of the expression or rhetoric of the<br />

author and it is not necessary to use the term nostalgia. This type is the<br />

most complex and least explicit of the three, and thus it is considerably<br />

dificult to identify it, while requiring deep understanding and<br />

highly developed interpretation skills. In identifying the presence<br />

of this third type of nostalgia, we used a theoretical construct called<br />

nostalgic rhetoric. The rhetoric type of occurrence is derived from<br />

this construct.<br />

There are two aspects to the characteristics of nostalgic rhetoric: content<br />

and form. The content is based on the deinitions and characteristics<br />

of nostalgia which we have derived from generally acknowledged<br />

deinitions of nostalgia. We gained additional knowledge on nostalgia<br />

from literary sources on the nostalgic. These helped us to deine and<br />

specify the term nostalgia more precisely and widen the characteristics,<br />

thus deepening our understanding of this phenomenon and aiding the<br />

development of the concept of nostalgic rhetoric.<br />

295

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