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MEGATRENDS AND MEDIA

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<strong>MEGATRENDS</strong> <strong>AND</strong> <strong>MEDIA</strong><br />

whereas the second arose from the development of the personality of the<br />

main character. This is a cardinal change of personality that corresponds<br />

with what Roland Barthes wrote about the “love” catastrophe in<br />

A Lover’s discourse: Fragments: „A love catastrophe is close to what we<br />

call an extreme situation in psychiatry, which is a situation the subject<br />

experiences as if it lead irretrievably to his destruction.“ 10 Our thoughts<br />

are not so dramatic. In this “strange case” we identiied two relevant<br />

movements for our topic: credibility of message built on external proofs<br />

and transgression of the narrative rules with author’s metalepsis.<br />

Conclusion<br />

Considering the topic we have established, the point of the story of Jekyll<br />

and Hyde becomes clearer. If we realize that every media message has<br />

to show certain characteristics of credibility in order to be believable.<br />

Referring to sources and authorities in a given area or the support of<br />

claims with oficial statements brings a similar effect as comments<br />

which guarantee the credibility of iction. From the perspective<br />

of modern semiotics, it is the penetration of metalanguage into<br />

referential discourse, or mixing the position of the primary text and the<br />

commentary. This reasoning is implicitly connected to Roland Barthes,<br />

who distinguishes between real, terminological and rhetorical systems.<br />

He goes from denotation to connotation, from terminology to rhetoric,<br />

from systems which are presented as models of facts to systems which<br />

are social constructs. And if we acknowledge that the reality which<br />

surrounds us is of a social nature, it means that every message which<br />

reaches us is governed by the rules of language and rhetoric, the same<br />

as any other language construction, which inevitably brings it nearer to<br />

the area of literature and iction. Credibility is no longer situated in a<br />

referential framework of some message even in the text itself but rather<br />

its destination, reader or in other words the recipient of the message,<br />

who always creates the universe (not only of the ictional world) anew.<br />

Acknowledgement:<br />

This work was supported by a grant of the The Ministry of Education,<br />

Science, Research and Sport of the Slovak Republic, project number VEGA<br />

2/0107/14.<br />

10 BARTHES, R.: A Lover´s discourse: Fragments. Hill and Wang, Tra Edition,<br />

2010, p. 48.<br />

46

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