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MEGATRENDS AND MEDIA

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TRANSCULTURAL COMMUNICATION <strong>AND</strong> <strong>MEDIA</strong> ART<br />

F/ Type of occurrence: rhetoric<br />

“In this love of the remote, even the famous saudade, which is inherent<br />

to this earth and its inhabitants, may ind its origin. It is nostalgia for<br />

an adventurous past, but, at the same time, for future that inds its full<br />

expression in realizing the potentialities that were left behind by this<br />

past.” 37<br />

Table 7 (F)<br />

Topic Sources Triggers Mode of<br />

expression<br />

Portuguese<br />

epic on<br />

Sebastian<br />

love to the<br />

distant<br />

contemporary<br />

wanderlust<br />

method of<br />

analogy<br />

Object<br />

adventurous past,<br />

future capitalizing the<br />

potentialities of the<br />

past<br />

3.2 Rationality versus emotional effervescence<br />

In Maffesoli’s concepts, the contours of the dichotomy of the past and the<br />

present are markedly distinctive. According to his thesis, we are entering<br />

the era of the postmodern that succeeds the period of the modern,<br />

which was dominated by the paradigm of individualism subordinated to<br />

rational logic. From the perspective of the discourse on nostalgia, we can<br />

state that this dichotomy is largely expressed through the perception of<br />

history. Maffesoli claims that the perception of history as a project or<br />

that the belief that history has a meaning has been overcome. He also<br />

disclaims the teleological and soteriological ideas of history (C). The<br />

concept of nomadism and the related forms declaring dynamism, nonconformity<br />

or perpetual motion present a counterweight to economic<br />

morality (B).<br />

3.3 Idealization<br />

Our research proved that Maffesoli looks back to the past towards cultures<br />

and civilizations that had an important role and seeks to resurrect them<br />

in the conditions of the present. The fact that he idealizes the cultural<br />

formations of the past as genuine expressions of the joys of life, which he<br />

sees as a source of social coherence, points towards nostalgic reaction.<br />

On the other hand, this aspect of sociality is some kind of an ideal within<br />

37 MAFFESOLI, M.: O nomádství. Iniciační toulky. Praha : Prostor, 2002, p. 64.<br />

303

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