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MEGATRENDS AND MEDIA

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TRANSCULTURAL COMMUNICATION <strong>AND</strong> <strong>MEDIA</strong> ART<br />

notion of balance of power that they suggest to ensure stable world<br />

order also includes discussions about the international system(s) as<br />

being spaces of interactions functioning within anarchic structures.<br />

Within these anarchic structures, as they claim, the main actors, that<br />

is to say, states are assumed to retain sovereignty and the distribution<br />

of capabilities, resources, and stability on a healthier level of power<br />

equilibrium, which will in turn help to maintain cohesion of the orders<br />

and systems, while preventing any cataclysmic destruction.<br />

This realist school based balance of power theory argues that modern<br />

global politics is characterized by shifting coalitions and alliances aimed<br />

at preventing an unequal distribution of power in the global arena<br />

and that such a balance is the best guarantee for world order 27 and its<br />

constituent systems. To conirm this notion, Europe’s various shifting<br />

alliances that have been seen in history are being taken as evidence<br />

of proof. Modern thinkers of this school such as Kissinger argue that<br />

countries fear and loathe hegemons and that it is better to have a balance<br />

of power to stabilize the system. 28 Also, this balance of power notion has<br />

been utilized, recently, to explain the alliance of France, Russia, and China,<br />

when these actors intended to counter-balance the US unilateral actions<br />

against Iraq in 2003. 29 Most balance of power theorists claim hegemons<br />

always fail and that the history of modern world orders runs in cycles<br />

illuminating the rise and fall of great powers. In an attempt to adjust the<br />

drawback of the realist school, neorealism sees the notion of hegemonic<br />

stability as a viable circumstance to perpetuate state based and solely<br />

Western dominated order and systems that have been maintained since<br />

Westphalia. Neorealism assumes that history is subject to continuity and<br />

repetitive cycles of hegemonies, thus inadequate to explain international<br />

relations more generally. Its most fundamental limitation is its insistence<br />

that international politics cannot be understood without a reference to<br />

27 COX, K. R., SINCLAIR, T. J.: Approaches to World Order. Cambridge U. K. :<br />

Cambridge University Press,1996, see chapters 2-3. This has also been<br />

cited in Moselle, The Concept of World Order, 2008, p. 4.<br />

28 KISSINGER, H.: Diplomacy. New York : Simon and Schuster, 1995, p. 17-28,<br />

mainly see the introduction and conclusion.<br />

29 BOOTH, K., DUNNE, T. (eds.): Worlds in collision: terror and the future of<br />

global order. Houndmills, 2002, 360 p. In Particular, see Part II. Order,<br />

p. 141-354.<br />

319

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