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Crossroads in Cultural Studies Conference 14-17th December 2016 Program Index

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This paper will compare the 1960 Mexican film Qu<strong>in</strong>ceañera (Fifteen Year-Old Girl, Alfredo B. Crevenna), the<br />

1987 telenovela Qu<strong>in</strong>ceañera (Carla Estrada), the 2000 telenovela Primer amor… a 1000 por hora (First<br />

Love… at 1000 Km Per Hour, Pedro Damián), and the 2012 Nickelodeon Lat<strong>in</strong>-American television series Miss<br />

XV (My 15/Miss 15, Pedro Damián). How is the same story retold through different audiovisual media? The<br />

explicit variations of these texts not only po<strong>in</strong>t to differences <strong>in</strong> <strong>in</strong>dustrial practices but also a transformation<br />

of social norms and mores. This research seeks to contextualise and historicise the production of these<br />

narratives <strong>in</strong> order to understand the way they have shaped and reflected the representations of Mexican<br />

young women over a period of 50 years.<br />

4W<br />

Youth participation, citizenship and democracy (Chair, Phillipa Coll<strong>in</strong>)<br />

Yiyi Y<strong>in</strong>* & Anthony Fung*<br />

Ch<strong>in</strong>a?<br />

Youth Onl<strong>in</strong>e <strong>Cultural</strong> Participation and Bilibili: An alternative form of democracy <strong>in</strong><br />

This paper exam<strong>in</strong>es one of the most popular youth opens platform and video sites <strong>in</strong> Ch<strong>in</strong>a, Bilibili.<br />

Facilitated by specific bullet-comment<strong>in</strong>g technology, the comment<strong>in</strong>g system embedded on Bilibili allows to<br />

post and share videos and to engage other participants on an equal basis. It essentially constitutes hundreds<br />

of open and parallel discussion forum for each specific video posted. The k<strong>in</strong>d of onl<strong>in</strong>e youth participation<br />

could be read as an alternative version of digital democracy that manifests and builds on grass-root<br />

creativity, collective <strong>in</strong>telligence and affective labor. This paper exam<strong>in</strong>es this emerg<strong>in</strong>g culture by analyz<strong>in</strong>g<br />

how members <strong>in</strong>teract and attempt to act free of political and commercial forces. It depicts how they try to<br />

shelter their de-politicalized public space, and at the same time embraces cultural and political resistance<br />

toward capitals and dom<strong>in</strong>ant power. It reveals how political subjectivity of Ch<strong>in</strong>ese adolescents be<strong>in</strong>g visible<br />

<strong>in</strong> such cultural practices.<br />

Fiona Suwana<br />

Digital Media and Indonesian Young People to Support Democracy<br />

This research aims to exam<strong>in</strong>e how Indonesian young people have been able to use digital media to support<br />

democracy <strong>in</strong> Indonesia, as the world’s third largest democracy. The Internet is perceived as a media that<br />

can potentially promote greater democracy due to its more open forms of communication compared to<br />

traditional media, therefore creat<strong>in</strong>g more opportunities for freedom of expression. Moreover, Internet use<br />

has <strong>in</strong>creased rapidly <strong>in</strong> Indonesia, particularly among youth between 18-25 years old. Democracy and<br />

participation <strong>in</strong> public culture require not just a will<strong>in</strong>gness to consume <strong>in</strong>formation, but to create; share;<br />

and use <strong>in</strong>formation. While, digital media practices <strong>in</strong> Indonesia have promoted the participation of more<br />

young people than ever before to engage <strong>in</strong> political and civic activism, Therefore, this presentation explores<br />

the capacities and motivation of Indonesian student leaders <strong>in</strong> five universities and one college <strong>in</strong> Jakarta to<br />

do civic engagement and political participation by digital media.<br />

Soo Ah Kwon<br />

The Global Youth Empowerment Project<br />

This paper critically exam<strong>in</strong>es the shift <strong>in</strong> contemporary transnational youth governance from a politics of<br />

resistance to politics of empowerment as deployed by the United Nations and its partner organizations.<br />

Draw<strong>in</strong>g on ethnography at global youth conferences, this paper <strong>in</strong>vestigates the spaces <strong>in</strong> which cultural<br />

(re) production of a transnational and “ideal” global youth subject is constructed and negotiated among the<br />

elite group of global South and North participants. This empowered global citizen and democratic subject is<br />

juxtaposed aga<strong>in</strong>st the potential misery and “risk” that the “bad” uneducated, antcapitalist, undeveloped<br />

(global South), and unsafe (Arab) youth presents to global economic development and security. The author<br />

125

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