Crossroads in Cultural Studies Conference 14-17th December 2016 Program Index
Crossroads-2016-final-draft-program-30-Nov
Crossroads-2016-final-draft-program-30-Nov
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course “fitspiration” or “fitspo”. Fitspiration represents a comb<strong>in</strong>ation of cultural texts with post-fem<strong>in</strong>ist<br />
attitudes of “positive th<strong>in</strong>k<strong>in</strong>g” that encourage and <strong>in</strong>spire its members (all female) to become fit. Crucial<br />
among this new wave of fitness representation is the gym selfie or sweaty selfie, smartphone photographs<br />
the user takes of themselves <strong>in</strong> the context of a workout. Us<strong>in</strong>g discourse analysis and textual analysis, I<br />
exam<strong>in</strong>e the context of the selfie and its popularity, and critique the gym selfie genre as a potentially<br />
empower<strong>in</strong>g but ultimately <strong>in</strong>corporat<strong>in</strong>g medium that offers women avenues of self-representation while<br />
re<strong>in</strong>forc<strong>in</strong>g emphasis on the body and traditional notions of fem<strong>in</strong><strong>in</strong>ity.<br />
3Q<br />
Gender, <strong>in</strong>timacy and the cult (ure) of confidence (Chair, Martha Michailidou)<br />
This panel exam<strong>in</strong>es how confidence materializes <strong>in</strong> different sites and spaces centred on both public and private<br />
<strong>in</strong>timacies. Located <strong>in</strong> an <strong>in</strong>tersectional understand<strong>in</strong>g, but foreground<strong>in</strong>g gender, the papers seek to explore new<br />
constructions of <strong>in</strong>timacy and their entanglement with the contemporary cult(ure) of confidence. The panel br<strong>in</strong>gs<br />
together scholars from Canada (Sarah Sharma), Greece (Martha Michailidou), and the UK (Rosal<strong>in</strong>d Gill).<br />
Sarah Sharma<br />
Sexodus and Refusal: The problem with male disposability<br />
This talk grapples with and locates the male fantasy of exit as it pervades the contemporary moment. Exit<br />
lurks with<strong>in</strong> the market, the technologies of the shar<strong>in</strong>g economy, rightw<strong>in</strong>g Men’s rights movements and<br />
the leftist refusal of work. In terms of the Sexodus/MGTWO movement, popular media depicts a buffoon <strong>in</strong> a<br />
basement masturbat<strong>in</strong>g and play<strong>in</strong>g video games. A deeper look f<strong>in</strong>ds a misguided misogynist, but also an<br />
articulate one – an educated male well versed <strong>in</strong> fem<strong>in</strong>ist theory with a programmatic plan to withhold<br />
reproductive participation from women <strong>in</strong> a culture that now treats men like a disposable utility. But this<br />
pervasive sense of male disposability gives me pause <strong>in</strong> that it is also a common theme with<strong>in</strong> the precarity<br />
politics com<strong>in</strong>g out of the left and the refusal of work paradigm. At stake <strong>in</strong> both attempts at exit (whether<br />
out of capitalism or fem<strong>in</strong>ism) is the uneven demand of reproduc<strong>in</strong>g the social order and the political<br />
condition of <strong>in</strong>dispensability tied to <strong>in</strong>timacy and care.<br />
Martha Michailidou* & Rosal<strong>in</strong>d Gill<br />
Confidence is the new sexy<br />
This paper is an attempt to analyse the materiality of the imperative to confidence, currently one of the<br />
dom<strong>in</strong>ant problematisations of fem<strong>in</strong><strong>in</strong>ity <strong>in</strong> popular culture. To be self-confident seems to be the new<br />
imperative of our time – at least for women. Beauty brands hire “confidence ambassadors”, women’s<br />
magaz<strong>in</strong>es promote a “confidence revolution” (Cosmo) or dedicate special issues to the topic (e.g. “The<br />
Confidence Issue: A smart woman’s guide to self-belief”, Elle 2015) and <strong>in</strong> the area of <strong>in</strong>timate relationships<br />
confidence is presented as “the new sexy” – more important than how you look or what you can do. It adds<br />
a psychological profile to earlier notions of <strong>in</strong>timate entrepreneurship. This paper documents the turn to<br />
confidence and offers a brief genealogy of its development <strong>in</strong> popular culture, show<strong>in</strong>g how it seeks to<br />
remake <strong>in</strong>timate relationality.<br />
3R<br />
Colour, culture and contestation (Chair, Qian Gong)<br />
Åsa Bartholdsson The normaliz<strong>in</strong>g power of red, yellow and green: the color<strong>in</strong>g of emotions and conduct <strong>in</strong><br />
small children’s popular culture and educational programmes<br />
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