Crossroads in Cultural Studies Conference 14-17th December 2016 Program Index
Crossroads-2016-final-draft-program-30-Nov
Crossroads-2016-final-draft-program-30-Nov
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experiments made specifically for the medium of radio. The paper is historically contextualised to Dziga<br />
Vertov’s and Paul H<strong>in</strong>demith’s experiments <strong>in</strong> the 1920s on radio art and modes of listen<strong>in</strong>g.<br />
Meri Kyto<br />
Grumbl<strong>in</strong>g onl<strong>in</strong>e: Neighbourhood noise, affective listen<strong>in</strong>g, and articulations of sonic privacy<br />
This paper deals with the articulations of domesticated sonic space <strong>in</strong> social media outbursts about<br />
neighbourhood noise. A theoretical start<strong>in</strong>g po<strong>in</strong>t for the study is affective listen<strong>in</strong>g, which manifests itself <strong>in</strong><br />
often late night tweets, status updates and blog posts to an audience possibly present onl<strong>in</strong>e. The writ<strong>in</strong>gs<br />
tackle the lack of “normal sonic behaviour” which causes aggressive emotions and the uncomfortable<br />
feel<strong>in</strong>gs comply<strong>in</strong>g to normative negative solidarity, not be<strong>in</strong>g able to <strong>in</strong>tervene with the cause of nuisance.<br />
The paper will also discuss feel<strong>in</strong>gs and knowledge of distributed subjectivity <strong>in</strong> the chang<strong>in</strong>g levels of<br />
listen<strong>in</strong>g attention <strong>in</strong> domesticated sonic space. The study is based on F<strong>in</strong>nish language data collected with<br />
Meltwater Buzz social media measurement software from 20<strong>14</strong> to <strong>2016</strong>.<br />
Johanna Maksima<strong>in</strong>en* & Suvi Saarikallio<br />
pictures<br />
Foundations of ambivalence <strong>in</strong> pleasure evoked by music and<br />
Pleasure is typically considered as a somewhat unproblematic concept referr<strong>in</strong>g, for example, to a positively<br />
valenced affective response to someth<strong>in</strong>g. However, there are <strong>in</strong>dications that the experience of pleasure is<br />
more complicated. The current study explores the constituents of ambivalence <strong>in</strong>tertw<strong>in</strong>ed to pleasure<br />
<strong>in</strong>duced by music and visual objects by utiliz<strong>in</strong>g approaches from art philosophy, musicology, and emotion<br />
research. Data was collected through a semi-structured onl<strong>in</strong>e survey (N=464). Both free descriptions and<br />
rat<strong>in</strong>gs on structured scales were collected. Subsequently, a mixture of statistical and qualitative methods<br />
was applied <strong>in</strong> the analysis. Analysis focuses on emotional contents and attitude. The study revealed four<br />
types of ambivalent attitudes to which the emotional experiences of ambivalence were related. Results<br />
provide pioneer<strong>in</strong>g <strong>in</strong>terdiscipl<strong>in</strong>ary perspectives for understand<strong>in</strong>g the affective experiences <strong>in</strong>duced by the<br />
variety of cultural artifacts surround<strong>in</strong>g us <strong>in</strong> our daily life.<br />
8K<br />
<strong>Cultural</strong> and Reproductive Age<strong>in</strong>g (Chair, Charlotte Kroløkke)<br />
Lucy van de Wiel<br />
Reproductive Age<strong>in</strong>g, Egg Freez<strong>in</strong>g and Precarious Fertility<br />
With the 21st century <strong>in</strong>troduction of egg freez<strong>in</strong>g emerges a reconfiguration of the temporal logic of<br />
reproductive age<strong>in</strong>g. Egg freez<strong>in</strong>g extends a period of what we may call “precarious fertility” dur<strong>in</strong>g which<br />
<strong>in</strong>fertility is lived prior to its arrival and the onset of age-related <strong>in</strong>fertility need not signal the end of the<br />
reproductive life span. Fertility becomes precarious as egg freez<strong>in</strong>g produces not only more treatment<br />
options, but also an <strong>in</strong>creased sense of agency over and uncerta<strong>in</strong>ty about reproductive age<strong>in</strong>g. The<br />
presentation analyses three reconceptualisations of reproductive age<strong>in</strong>g <strong>in</strong> the context of egg freez<strong>in</strong>g based<br />
on selected discourses surround<strong>in</strong>g egg freez<strong>in</strong>g <strong>in</strong> media and market<strong>in</strong>g. First, I address the production of<br />
uncerta<strong>in</strong>ty and the need for reproductive self-assessment emerg<strong>in</strong>g with egg freez<strong>in</strong>g and contest<strong>in</strong>g<br />
models of measur<strong>in</strong>g fertility based on hormones, egg quantity, egg quality and genetics. Second, I will<br />
exam<strong>in</strong>e how the discursive construction of frozen eggs’ fallibility structures the treatment cycle and<br />
produces an understand<strong>in</strong>g of reproductive age<strong>in</strong>g as distributed with<strong>in</strong> and without the body. Third, I<br />
discuss the new possibilities of post-fertile conception and posthumous motherhood and their implications<br />
for an understand<strong>in</strong>g of reproductive age<strong>in</strong>g as a confrontation with f<strong>in</strong>itude.<br />
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