Crossroads in Cultural Studies Conference 14-17th December 2016 Program Index
Crossroads-2016-final-draft-program-30-Nov
Crossroads-2016-final-draft-program-30-Nov
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3E<br />
Youth, gendered embodiment and mobility (Chair, Victoria Cann)<br />
Lisa-Polly Farrance<br />
“Overcom<strong>in</strong>g the chaos”: the moments of self-valorisation on a roller derby track<br />
In the Preface to Marxism, <strong>Cultural</strong> <strong>Studies</strong> and Sport, Harry Cleaver argues for recognis<strong>in</strong>g and<br />
understand<strong>in</strong>g the “moments of self-valorisation as they emerge with<strong>in</strong> and aga<strong>in</strong>st the constra<strong>in</strong>ts of capital<br />
and the degree to which they are able, however temporarily, to break free of those constra<strong>in</strong>ts” <strong>in</strong>clud<strong>in</strong>g <strong>in</strong><br />
places like sport. With<strong>in</strong> these moments, he argues, are the seeds of broader movements for liberation.<br />
Cleaver’s words echo those of CLR James <strong>in</strong> his prolific writ<strong>in</strong>gs on the politics of sport and cultural<br />
expression. They also echo the words of roller derby participants, who describe a liberation that comes from<br />
not only becom<strong>in</strong>g physically strong, but becom<strong>in</strong>g physically competent <strong>in</strong> a difficult and extremely complex<br />
sport. “Overcom<strong>in</strong>g the chaos on the track” is a strong theme <strong>in</strong> the language of those who compete <strong>in</strong> roller<br />
derby. Importantly, they also overcome chaos with<strong>in</strong> a subculture that reshapes both gendered subjectivity<br />
and women’s <strong>in</strong>ter-subjectivities, and <strong>in</strong> ways they describe as profound and life-chang<strong>in</strong>g. This paper will<br />
explore these moments of liberated <strong>in</strong>tersubjectivity and self-valorisation, through a five-year case study of<br />
women and gender diverse participants <strong>in</strong> roller derby, based <strong>in</strong> Melbourne, Australia.<br />
Karen-Anne Wong<br />
Homosociality, Intimacy and Awareness: Gender and Sexuality <strong>in</strong> Yoga with Adolescents<br />
This paper draws on the f<strong>in</strong>al chapter of my PhD thesis, which is an ethnographic study of children’s and<br />
teen’s yoga. Us<strong>in</strong>g <strong>in</strong>terviews with participants, and participant observation of yoga classes, I suggest that<br />
teen girls who participated <strong>in</strong> this study unanimously called for yoga as a practice of resistance to<br />
heteronormativity. I suggest that this is particularly pert<strong>in</strong>ent with<strong>in</strong> a 21st century context where the<br />
parameters of children’s gender and sexuality are fiercely guarded on the one hand (for example, by child<br />
protection discourse) while <strong>in</strong>creas<strong>in</strong>gly challenged by arguments for children’s agency (and, more cynically,<br />
a market which has a vested <strong>in</strong>terest <strong>in</strong> creat<strong>in</strong>g children as powerful consumers). Children’s yoga classes<br />
exist with<strong>in</strong> these contexts and the debates around them, and provide an opportunity for diversified<br />
understand<strong>in</strong>gs and experiences of gender and childhood sexuality. In many respects the degree to which it<br />
happens is, of course, highly dependent on the <strong>in</strong>dividual participants and class context, as I will<br />
demonstrate.<br />
Penny T<strong>in</strong>kler Teenage girls on the move: spatial mobility and the cultural lives of girls grow<strong>in</strong>g up <strong>in</strong> Brita<strong>in</strong> <strong>in</strong> the<br />
1950s and 1960s<br />
<strong>Studies</strong> of the cultural lives of young people <strong>in</strong> postwar Brita<strong>in</strong> have focused ma<strong>in</strong>ly on leisure, consumption<br />
and style. Moreover young men, particularly from the work<strong>in</strong>g classes, have been the pr<strong>in</strong>cipal subjects. This<br />
paper places teenage girls <strong>in</strong> the foreground and focuses on a hitherto neglected aspect of their cultural lives<br />
– spatial mobilities. Draw<strong>in</strong>g on girls” magaz<strong>in</strong>es, advertis<strong>in</strong>g, newspaper reports and films targeted at young<br />
people, I argue that there was a proliferation of representations of youthful female mobility <strong>in</strong> Brita<strong>in</strong> <strong>in</strong> the<br />
late 1950s and 1960s. Spatial mobilities were constructed as <strong>in</strong>tegral to the experiences of teenage girls and<br />
the processes, pleasures and risks of grow<strong>in</strong>g up <strong>in</strong> the postwar period. I argue that these representations<br />
contributed to the discursive fram<strong>in</strong>g of shifts <strong>in</strong> the actual mobilities of postwar youth and to the creation<br />
of an “imag<strong>in</strong>ed community” of teenage girls who were on the move and enjoy<strong>in</strong>g new places and spaces.<br />
3F<br />
Performance and mediatisation <strong>in</strong> popular music (Chair, Azmyl Yusof)<br />
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