Crossroads in Cultural Studies Conference 14-17th December 2016 Program Index
Crossroads-2016-final-draft-program-30-Nov
Crossroads-2016-final-draft-program-30-Nov
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digital change <strong>in</strong> Indonesia beyond its current focus on how civil society groups leverage digital media to ga<strong>in</strong><br />
political <strong>in</strong>fluence. It does so by consider<strong>in</strong>g the determ<strong>in</strong><strong>in</strong>g role technologies play <strong>in</strong> precipitat<strong>in</strong>g novel cultural<br />
forms that rema<strong>in</strong> under-researched <strong>in</strong> scholarship exam<strong>in</strong><strong>in</strong>g the Indonesian digital.<br />
Alila Pramiyanti Hijabers on Twitter<br />
In recent years, the hjab has emerged at the centre of a new market for commodities identified as Islamic.<br />
Muslim women have been active participants <strong>in</strong> this new Islamic culture <strong>in</strong>dustry as both consumers and<br />
producers. It is significant that female consumers participate <strong>in</strong> Muslim fashion not just as shoppers <strong>in</strong> malls<br />
but also as users of <strong>in</strong>teractive social media such as Facebook, Twitter, and Instagram, establish<strong>in</strong>g onl<strong>in</strong>e<br />
communities of consumption around veil<strong>in</strong>g, such as Hijabers’ Community – the subject of this paper. This<br />
paper enquires <strong>in</strong>to how social media platforms enable and/or limit the way the Hijabers Community<br />
present themselves as modern Muslim women. It aims to provide new knowledge of Twitter’s role <strong>in</strong><br />
shap<strong>in</strong>g the modern Muslim self, as well as to br<strong>in</strong>g the case of the Hijabers Community to advance<br />
understand<strong>in</strong>g of twitter, and its <strong>in</strong>herent potentials and limitations with regard to digitally mediated<br />
consumption and identity.<br />
Rido Panjaitan Officials <strong>in</strong> Onl<strong>in</strong>e Spaces<br />
In recent times, it has become common for Indonesian government officials to rely on onl<strong>in</strong>e social media to<br />
directly communicate with their constituencies. This paper presents f<strong>in</strong>d<strong>in</strong>gs of a research project enquir<strong>in</strong>g<br />
<strong>in</strong>to whether this new form of government to citizen communication enhances civic participation <strong>in</strong> decision<br />
mak<strong>in</strong>g. I argue that reliance on social media urges public officials to adopt an <strong>in</strong>creas<strong>in</strong>gly <strong>in</strong>formal style of<br />
public communication that contrasts the stock rigidity and superiority of officials’ public communication <strong>in</strong><br />
the past. I further argue that, as well as reshap<strong>in</strong>g the officials’ public communication styles, social media is<br />
also expos<strong>in</strong>g them to the banal, everyday concerns of their constituents – matters from which they were<br />
hitherto distanced.<br />
Fiona Suwana<br />
Youth, media literacy and democracy<br />
Through a focus on youth <strong>in</strong>volved <strong>in</strong> two activist movements - the Save KPK Movement 2015 (an anticorruption<br />
movement <strong>in</strong> Jakarta) and the ForBali13 (an anti-reclamation movement <strong>in</strong> Bali) – the paper<br />
explores how onl<strong>in</strong>e social media afford new k<strong>in</strong>ds of political participation, but also discusses the new risks<br />
politically active youth face when they rely on social media to build and participate <strong>in</strong> movements. Youths’<br />
uses of social media reveal the emergence of new k<strong>in</strong>ds of political tactics, but also the new threats to<br />
freedoms of expression posed by the Electronic Information and Transactions Law/ITE Law).<br />
Emma Baulch<br />
Mixed messages: telco ads on television<br />
The article exam<strong>in</strong>es telco ads made for Indonesian television <strong>in</strong> order to understand the qualities of<br />
powerful narratives about what it means to be networked <strong>in</strong> that country. Based on an understand<strong>in</strong>g of<br />
telco ads as texts that encode telecommunications <strong>in</strong>frastructure with social mean<strong>in</strong>g by turn<strong>in</strong>g it <strong>in</strong>to a<br />
commodity form capable of address<strong>in</strong>g a consum<strong>in</strong>g public, the paper studies the cultural forms the ads<br />
throw up <strong>in</strong> order to articulate this address, and the media ecology that enables these cultural forms to<br />
circulate. In both their cultural forms and modes of circulation, I argue, telco ads conta<strong>in</strong> mixed messages<br />
about the networked consum<strong>in</strong>g public and the extent of its novelty.<br />
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