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Crossroads in Cultural Studies Conference 14-17th December 2016 Program Index

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and Greece may offer us <strong>in</strong>terest<strong>in</strong>g <strong>in</strong>sights, consider<strong>in</strong>g the complex shared history of these countries, as<br />

well as the long-last<strong>in</strong>g solidarity between activist groups across borders. Several visual images dur<strong>in</strong>g 2008<br />

Greek protests after the murder of 15-year-old Alexandros Grigoropoulos were shared <strong>in</strong> Turkish-speak<strong>in</strong>g<br />

media, which triggered a wider <strong>in</strong>terest <strong>in</strong> the overall atmosphere of dissent <strong>in</strong> Greece. Grow<strong>in</strong>g with the<br />

follow<strong>in</strong>g Greek movements of Syntagma and Antausterity, such <strong>in</strong>terest evolved <strong>in</strong>to an <strong>in</strong>teraction with the<br />

eruption of Gezi Movement <strong>in</strong> 2013. This paper aims to present the prelim<strong>in</strong>ary f<strong>in</strong>d<strong>in</strong>gs of an ongo<strong>in</strong>g<br />

research that asks the follow<strong>in</strong>g questions: How do digital media shape our everyday experiences of protest<br />

and disposition us to have certa<strong>in</strong> feel<strong>in</strong>gs of solidarity and togetherness? How do visual images produce a<br />

community/solidarity feel<strong>in</strong>g with<strong>in</strong> the context of social movements? To what extent does circulation of<br />

visual images across national borders change the solidarity feel<strong>in</strong>g among activists?<br />

Rosannguaq Rossen<br />

Globalisation through fashion – The Greenlandic diasporas from Europe<br />

Not all of the Greenlandic designers live <strong>in</strong> Greenland, but their products represent the idea of an Arctic<br />

culture, which are the representations of the Greenlandic diaspora. Greenlandic understood as the designers<br />

who express <strong>in</strong>timate attachment to Greenland one way or the other. They f<strong>in</strong>d <strong>in</strong>spiration from Greenlandic<br />

storytell<strong>in</strong>g tradition and ethno-symbols. They either seem to transfer or to translate them and comb<strong>in</strong>e<br />

these with global references to express both their Greenlandicness and their Globalness. This presentation is<br />

analyz<strong>in</strong>g the migration and the globalization aspect of the Greenlandic designers who live outside their<br />

“homeland”. What is the underly<strong>in</strong>g discourse beh<strong>in</strong>d their designs? How does migration change exist<strong>in</strong>g<br />

symbols of representation? Migration to Europe <strong>in</strong>volves new cultural ideas <strong>in</strong>corporated to the Greenlandic<br />

art and fashion. Furthermore, the question of what happens to you, the non-European, when you move to<br />

the West, will be touched upon. Globalization reveals a conflict between “our sense of belong<strong>in</strong>g” and<br />

factual citizenship.<br />

Glen Fuller* & Scheherazade Bloul*<br />

Mediators<br />

Re-Fashion<strong>in</strong>g Islam <strong>in</strong> Australia: “Modest Fashion” and Micro-Celebrity<br />

“Modest fashion” has emerged <strong>in</strong> Australia, Europe and elsewhere as a key site for Muslim women to<br />

articulate and negotiate their own identities. This paper presents some prelim<strong>in</strong>ary f<strong>in</strong>d<strong>in</strong>gs from a project<br />

organised around <strong>in</strong>terview<strong>in</strong>g “modest fashion” bloggers <strong>in</strong> Australia. We are aim<strong>in</strong>g to address how<br />

modest fashion bloggers negotiate and critically reflect on their gendered and religious identities through<br />

social media practice. The research also <strong>in</strong>cluded an analysis of an archive assembled from media texts and<br />

commentary about “modest fashion”. “Modest fashion” bloggers serve as cultural <strong>in</strong>termediaries between<br />

different social milieus. They articulate new zones of relationality for articulat<strong>in</strong>g religious and cultural<br />

identities. Of concern to us <strong>in</strong> particular is the degree to which Australian “modest fashion” bloggers<br />

participate <strong>in</strong> and contribute to an emerg<strong>in</strong>g global modest fashion-based movement aimed at build<strong>in</strong>g<br />

identity and community, challeng<strong>in</strong>g exist<strong>in</strong>g discursive representations, and develop<strong>in</strong>g counter-discourses,<br />

by us<strong>in</strong>g new media technologies.<br />

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