Crossroads in Cultural Studies Conference 14-17th December 2016 Program Index
Crossroads-2016-final-draft-program-30-Nov
Crossroads-2016-final-draft-program-30-Nov
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8H Representation and Resistance: Identity Construction and Identity Politics Across Digital Platforms (Chair,<br />
Kar<strong>in</strong> Zhu)<br />
Tisha Dejmanee The Next Tavi: Teen Fashion Bloggers and Postfem<strong>in</strong>ist Girlhood<br />
Postfem<strong>in</strong>ism espouses a model of “can do” girlhood (Harris, 2004), emphasis<strong>in</strong>g the responsibility for ideal<br />
female subjects to manage and plan their lives and engage <strong>in</strong> careerism from an early age. This ideal of<br />
girlhood is captured <strong>in</strong> the figure of the precocious teen fashion blogger, who is able to strategically deploy<br />
the blog platform and the brand of girlhood <strong>in</strong>to an entrepreneurial opportunity. I use platform and visual<br />
analysis to exam<strong>in</strong>e three fashion blogs – Tavi Gev<strong>in</strong>son’s Style Rookie, Ophelia Horton’s Who’s That Girl?<br />
and Paol<strong>in</strong>a’s Callur Villade – and discuss the ways that they implicate young women’s digital media<br />
production with the new visibility of girlhood as a lucrative market<strong>in</strong>g opportunity. This relationship is<br />
further complicated by the explicit l<strong>in</strong>ks made between creative young girlhood and the nascent popular<br />
fem<strong>in</strong>ist movement.<br />
Cynthia Wang Asian American Musicians and Digital Transnationalism<br />
Asian America exists <strong>in</strong> the lim<strong>in</strong>al space between America and Asia, belong<strong>in</strong>g and foreign, visibility and<br />
<strong>in</strong>visibility, with the potential to participate <strong>in</strong> powerful diasporic networks. Asian American musicians have<br />
been able to capitalize on this “straddl<strong>in</strong>g” of two cultures, through the use of digital platforms like<br />
Facebook, YouTube, Twitter, and Kickstarter that encourage transmediated approaches to music<br />
distribution. These musicians use digital platforms to reach niche audiences and create substantial fan bases<br />
that subvert traditional power structures <strong>in</strong> creative production. Specifically, this paper explores how<br />
musicians create new transnational identities through the use of new technologies of production and<br />
distribution that transcend pre-exist<strong>in</strong>g borders of culture, identity, and nationality. How are Asian and<br />
American identities negotiated through the migratory flow of bodies, cultures, and ideas <strong>in</strong> an <strong>in</strong>creas<strong>in</strong>gly<br />
globalized world enabled by digital media?<br />
Flemm<strong>in</strong>g Rhode<br />
“Crunchy Mamas” and Onl<strong>in</strong>e Scientific Controversy<br />
This paper exam<strong>in</strong>es the rise of the “crunchy mama” as a model of contemporary motherhood that<br />
emphasises a radical stance aga<strong>in</strong>st the State and corporations on pseudo-scientific public controversies<br />
such as the l<strong>in</strong>k between vacc<strong>in</strong>es and autism, and the health problems of genetically modified food. I<br />
explore this issue through the onl<strong>in</strong>e debate on GMO foods between blogger Vani Hari – known by onl<strong>in</strong>e<br />
pseudonym Food Babe – and Yvette d’Entremont – known as SciBabe. This debate illustrates the<br />
argumentative currency of constructed onl<strong>in</strong>e fem<strong>in</strong><strong>in</strong>ity, as digital media platforms favour new sources of<br />
authoritative knowledge based on fem<strong>in</strong>ised personal experience. Inversely, the popularity of the Food Babe<br />
brand illum<strong>in</strong>ates the limitations scientists face <strong>in</strong> <strong>in</strong>terven<strong>in</strong>g <strong>in</strong> public controversies on a platform that<br />
favours expressions of <strong>in</strong>timacy and authenticity.<br />
8I<br />
Chrononormativity, Biopolitics, and the Generation of Gender and Sexuality (Chair, Rillark Bolton)<br />
Mary Lou Rasmussen* & Deana Leahy<br />
An Australian story<br />
Chrononormativity/ant<strong>in</strong>ormativity and counterpublic sexuality education:<br />
In the 1980s there was a veritable explosion of talk about gay men, anal sex and AIDS. People, <strong>in</strong>clud<strong>in</strong>g<br />
school students, were perceived as <strong>in</strong> need of sexuality education because everybody was viewed as<br />
potentially “at risk” of HIV and death. New resources became available because of a health imperative. As<br />
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