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Crossroads in Cultural Studies Conference 14-17th December 2016 Program Index

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This research focuses on Xianq<strong>in</strong>g, an onl<strong>in</strong>e Ch<strong>in</strong>ese danmei (Boys’ Love) forum established under the aegis<br />

of a women-oriented literature website <strong>in</strong> 2003. Although dedicated ma<strong>in</strong>ly to popular media consumption,<br />

Xianq<strong>in</strong>g has over the years become both a part of the larger onl<strong>in</strong>e Ch<strong>in</strong>ese public sphere and a unique<br />

queer space that defies any simple classification, offer<strong>in</strong>g pleasures, mean<strong>in</strong>gs, and identities to numerous<br />

diehard danmei fans despite recurrent technical problems, managerial failures, and tighten<strong>in</strong>g censorship.<br />

This research <strong>in</strong>vestigates how Xianq<strong>in</strong>g positions itself both with<strong>in</strong> and beyond normative ideologies, how it<br />

negotiates contest<strong>in</strong>g claims of women’s culture and queer culture <strong>in</strong> ma<strong>in</strong>stream society, and how it<br />

transgresses the boundary between the fantasy world and the real one, <strong>in</strong>terweav<strong>in</strong>g a massive discursive<br />

web extend<strong>in</strong>g from the most <strong>in</strong>timate and personal to the most public and political. Through reveal<strong>in</strong>g<br />

some of the paradoxes and ambiguities of this alternative public sphere, we seek to highlight the<br />

understudied gendered dimension of onl<strong>in</strong>e public sphere <strong>in</strong> Ch<strong>in</strong>a and question and challenge the rigid<br />

divide between politics and enterta<strong>in</strong>ment <strong>in</strong> academic discourse.<br />

J<strong>in</strong>g Jamie Zhao The Ch<strong>in</strong>ese Tale of a Danish Lesbian Pr<strong>in</strong>ce: Queerly Normaliz<strong>in</strong>g Freja Beha Erichsen<br />

This paper presents a deconstructive read<strong>in</strong>g of the queer gossip surround<strong>in</strong>g the Danish lesbian model,<br />

Freja Beha Erichsen, <strong>in</strong> one of the most <strong>in</strong>fluential Ch<strong>in</strong>ese fandoms of Western media and celebrities, The<br />

Garden of Eden (GE). It reveals the self-reflexive, yet often conflict<strong>in</strong>g, moments <strong>in</strong> GE fans’ re<strong>in</strong>terpretations<br />

of transculturally-circulated <strong>in</strong>formation about Erichsen’s lesbianism. It explores whether and how Ch<strong>in</strong>esespecific<br />

socio-familial and marital ideals perta<strong>in</strong><strong>in</strong>g to women’s genders and sexualities, such as perform<strong>in</strong>g<br />

the roles of good wife and mother, construct<strong>in</strong>g a perfect family, and fitt<strong>in</strong>g <strong>in</strong>to the “ma<strong>in</strong>stream,”<br />

complicate the fans’ transcultural imag<strong>in</strong>ations of Western butch lesbian, bisexual women, and adult lesbian<br />

relationships. It argues that GE fans’ tendency to craft socio-culturally “desirable” and “respectable” lesbian<br />

fantasies aga<strong>in</strong>st a globalist, non-Ch<strong>in</strong>ese backdrop exemplifies a subjective queer normaliz<strong>in</strong>g discourse<br />

whereby transcultural lesbian imag<strong>in</strong>aries are destabilized by real-world queer encounters at both local and<br />

global scales.<br />

10O<br />

Queer knowledges (Chair, Jaya Keaney)<br />

Sonia Wong<br />

Kong<br />

Pornography, flow of “queer knowledge”, and sexuality formation among young lesbians <strong>in</strong> Hong<br />

Exist<strong>in</strong>g studies on lesbian spectatorship of pornography focused much on the consumption and reception of<br />

queer pornography by lesbian audience, and its role <strong>in</strong> shap<strong>in</strong>g their identity and sexual expression. In this<br />

presentation, I would like to suggest, through my research with a group of young Hong Kong lesbians, that<br />

we should also pay closer attention to the <strong>in</strong>teractions between lesbian spectators and more ma<strong>in</strong>stream<br />

pornography, namely porn target<strong>in</strong>g a heterosexual male audience. By trac<strong>in</strong>g the respondents’ <strong>in</strong>itial<br />

exposure and access to pornographic materials and lesbian-related <strong>in</strong>formation, and their subsequent<br />

read<strong>in</strong>g of them, I would like to <strong>in</strong>vestigate the relationship between flows of “queer knowledge”, sexuality<br />

and identity formation, to explore the potentials and effects of heterosexual condition<strong>in</strong>g of homosexuality,<br />

to shed light on the many possible ways of be<strong>in</strong>g lesbians <strong>in</strong> the Hong Kong context.<br />

Grace Sharkey Queer Genres, Queer Promises: Represent<strong>in</strong>g authenticity on screen<br />

256

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