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Crossroads in Cultural Studies Conference 14-17th December 2016 Program Index

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to the consumption of Jamaica as nation. Importantly, Jamaica’s cultural and creative <strong>in</strong>dustries and the<br />

articulation of brand Jamaica has to take account of the global reggae economy around events, consumers<br />

and producers. The movement of music, people, and philosophies needs to be understood <strong>in</strong> all its<br />

dimensions because it is a crucial fulcrum around which Jamaica’s cultural and creative <strong>in</strong>dustries h<strong>in</strong>ge. This<br />

paper also makes an assessment of visual, performance, philosophical and cultural products, and clashes<br />

over them, <strong>in</strong> marijuana use, human rights, and use of Jamaican symbols, for example, to advance<br />

conceptualization of the Jamaican state <strong>in</strong> a dynamic, borderless production of its brand. I argue that<br />

Jamaica’s reach and importance render its particular form of statehood as a sort of “celebrity”. Through<br />

detailed view of reggae festivals therefore, and the <strong>in</strong>herent movement of patrons, music and their ideas<br />

about liv<strong>in</strong>g, statements are made about the politics of musical pilgrimage broadly, and the politics and<br />

significance of the global consumption of Jamaican popular culture specifically.<br />

Karen Langgård The dilemmas of be<strong>in</strong>g <strong>in</strong> charge: Discourses <strong>in</strong> Greenlandic fiction and songs about m<strong>in</strong>eral and oil<br />

extraction<br />

In colonial times (1721-1953) it was easy for Greenlanders to dream of the richness to be found <strong>in</strong> the<br />

mounta<strong>in</strong>s of Greenland – and we f<strong>in</strong>d this mirrored <strong>in</strong> the Greenlandic fiction and national songs. Likewise it<br />

was easy to protest <strong>in</strong> poems and songs aga<strong>in</strong>st the Danish State’s plans about extract<strong>in</strong>g oil <strong>in</strong> the 1970s<br />

when Greenland was constitutionally part of Denmark (1953-1979). But what happened when Greenlanders<br />

got home rule (1979-2009) without rights to the subsurface and later self-government (2009-) with rights to<br />

the subsurface and the non-renewable resources? Which discourses and discussions do we f<strong>in</strong>d <strong>in</strong> the<br />

society – and are they mirrored <strong>in</strong> fiction and songs?<br />

5G<br />

Sexuality and urban space (Chair, Jess Kean)<br />

Ayaka Yoshimizu<br />

A Ghostscape at the Site of Displacement<br />

In January 2005, a raid organized by the Prefectural Police <strong>in</strong> Yokohama, Japan, evicted <strong>in</strong>dependent sex<br />

trade bus<strong>in</strong>esses run by migrant women, predom<strong>in</strong>antly from other regions of Asia <strong>in</strong> the marg<strong>in</strong>alized<br />

district of Koganecho. The police and a group of local residents promoted the eradication of baishun<br />

[prostitution], us<strong>in</strong>g slogans about mak<strong>in</strong>g the neighbourhood “safe” and “secure” and free of illegal<br />

foreigners and HIV carriers. Based on my ethnographic fieldwork, I present an embodied sense of what<br />

happens after displacement <strong>in</strong> the neighbourhood at the level of everyday practices and encounters. While<br />

the material traces of the displaced migrants have been erased through the physical transformation of the<br />

neighbourhood and the authorities’ re<strong>in</strong>terpretation of the neighbourhood’s past, this paper attempts to<br />

evoke a “ghostscape,” an affective memoryscape that demands our attention to the lives that were<br />

displaced and concealed from our view.<br />

Jan Philipp Filmer<br />

“Keep Sydney Open”: Lockout laws and the “sexual purification” of urban space<br />

In January 20<strong>14</strong>, Barry O’Farrell announced reforms to the NSW Liquor Act <strong>in</strong> an attempt to curb alcoholrelated<br />

violence. In February, the State Government passed new laws requir<strong>in</strong>g 1.30am lockouts and 3am<br />

last dr<strong>in</strong>ks <strong>in</strong> venues with<strong>in</strong> the newly def<strong>in</strong>ed K<strong>in</strong>gs Cross and Sydney CBD Enterta<strong>in</strong>ment Prec<strong>in</strong>cts. Draw<strong>in</strong>g<br />

on a comparison with New York’s zon<strong>in</strong>g laws of 1995, I show that queer publics are particularly vulnerable<br />

to governmental <strong>in</strong>terventions target<strong>in</strong>g adult bus<strong>in</strong>esses. Adult bus<strong>in</strong>esses cater<strong>in</strong>g to queers are spaces<br />

with<strong>in</strong> which sexual m<strong>in</strong>orities contest and negotiate heteronormative hegemony. These sites allow for the<br />

concretization of what Lauren Berlant and Michael Warner refer to as “queer counterpublics”: civic<br />

132

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