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Crossroads in Cultural Studies Conference 14-17th December 2016 Program Index

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collectives that provide shelter and essential resources for precarious communities. While heteronormative<br />

culture is susta<strong>in</strong>ed and reproduced by a wide range of <strong>in</strong>stitutionalised resources, queer culture depends on<br />

more ephemeral elaborations: public sexual cultures such as gay bars, sex shops, and drag shows to name<br />

but a few. However, more and more of Sydney’s queer venues are forced to close due to a severe decl<strong>in</strong>e <strong>in</strong><br />

revenue caused by the 20<strong>14</strong> reforms. I want to ask if the lockout laws produce an urban space that<br />

<strong>in</strong>creas<strong>in</strong>gly shuts down queer sociality and, accord<strong>in</strong>gly, functions to regulate queer subjectivity. In other<br />

words, do Sydney’s new lockout laws function to reproduce heteronormative hegemony?<br />

Paul Kelaita<br />

Suburban Queer<br />

This paper considers the ways <strong>in</strong> which the suburbs are implicated <strong>in</strong> critical assumptions made around<br />

queer identity. Through an exam<strong>in</strong>ation of Bhenji Ra’s Slay Your Oppressor(s) (<strong>2016</strong>) a performance art piece<br />

set <strong>in</strong> a suburban shopp<strong>in</strong>g strip <strong>in</strong> Sydney’s outer south-west, I address the relation between queer visibility<br />

and forms of belong<strong>in</strong>g. Mix<strong>in</strong>g martial arts with vogue<strong>in</strong>g Ra enacts a queer form of self-defence that<br />

responds to the violence encountered by visibly fem<strong>in</strong><strong>in</strong>e gay men and transgender people <strong>in</strong> the<br />

Campbelltown area. The work po<strong>in</strong>ts toward the descriptive limits of queer by <strong>in</strong>vok<strong>in</strong>g the tensions<br />

between identification, embodiment and place. Comb<strong>in</strong><strong>in</strong>g Amelia Jones’ critique of “post-identity”<br />

discourses with histories of contemporary art and suburbia <strong>in</strong> western Sydney, I attend to the way that<br />

suburban queerness reveals a distributed form of belong<strong>in</strong>g that revolves around the structure of “queer”.<br />

5H<br />

Digital Children: Play, Surveillance and Digital Mak<strong>in</strong>g (Chair, Emma Keltie)<br />

Bieke Zaman* & Donell Holloway<br />

children’s hybrid Media Experiences<br />

Look<strong>in</strong>g back, Mov<strong>in</strong>g Forward: Reflections on an <strong>in</strong>terdiscipl<strong>in</strong>ary project on<br />

Over the past years, we have seen an <strong>in</strong>creased <strong>in</strong>terest of the toy and gam<strong>in</strong>g <strong>in</strong>dustry <strong>in</strong> hybrid products<br />

that comb<strong>in</strong>e physical and digital components. However, to date, little is known about how children and<br />

their parents perceive and deal with <strong>in</strong>novative hybrid play scenarios. In this presentation, we report on the<br />

f<strong>in</strong>d<strong>in</strong>gs from an <strong>in</strong>terdiscipl<strong>in</strong>ary research project. The project revolved around the design and evaluation of<br />

<strong>in</strong>teractive multi-platform media experiences for young children (4-6y) <strong>in</strong>volv<strong>in</strong>g physical, tradable,<br />

personalized cards as well as 3D-pr<strong>in</strong>ted toys. The f<strong>in</strong>d<strong>in</strong>gs of three waves of data gather<strong>in</strong>g (analysis onl<strong>in</strong>e<br />

reviews, survey, user experience test<strong>in</strong>g) show that hybrid playful products can tap <strong>in</strong> the potential of<br />

physical play and alleviate parental concerns on digital play. However, whether hybrid toys effectively br<strong>in</strong>g<br />

together the best of the offl<strong>in</strong>e and onl<strong>in</strong>e world depends on the actual implementation with<strong>in</strong> families and<br />

schools.<br />

Donell Holloway & Lelia Green Say hello to the Internet of Toys<br />

The Internet of Toys refers to a future where toys not only relate one-on-one to children but are wirelessly<br />

connected to other toys and/or database data. While exist<strong>in</strong>g toy companies and start-ups are eagerly<br />

<strong>in</strong>novat<strong>in</strong>g <strong>in</strong> this area, problems <strong>in</strong>volv<strong>in</strong>g data hack<strong>in</strong>g and other privacy issues have already occurred. The<br />

Hello Barbie and VTech hacks <strong>in</strong> late 2015 are recent examples. This paper reviews and discusses issues<br />

around the data security and safety of The Internet of Toys for child consumers who are usually too young to<br />

fully understand and consent to data collection or understand other security issues. The array of sensors<br />

added to Internet connected toys and the complex architecture servic<strong>in</strong>g Internet connected toys make for a<br />

complexity that could be designed to confuse parents and toy purchasers and which will further weaken<br />

children’s data privacy and security. With data around children’s screen-based activities already collected by<br />

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