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S E M I KO L O N - EgernInc

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of some stuff that was brown holland<br />

probably, but it was covered with patches<br />

all over, with bright patches, blue, red, and<br />

yellow--patches on the back, patches on<br />

the front, patches on elbows, on knees;<br />

coloured binding around his jacket, scarlet<br />

edging at the bottom of his trousers; and<br />

the sunshine made him look extremely gay<br />

and wonderfully neat withal, because you<br />

could see how beautifully all this patching<br />

had been done.” (Conrad 1994, 74)<br />

En pænhed der står i skærende kontrast til<br />

det orgie af vold og absurditet, som udspiller<br />

sig i den afrikanske virkelighed. Den unge<br />

russer er en uforbeholden beundrer af<br />

Kurtz, og under hans lovprisning af lederens<br />

indsats i civilisationens tjeneste får Marlow<br />

øje på de afhuggede afrikanske hoveder,<br />

som pryder toppene af hegnspælene foran<br />

den indre station. I Marlows dybfølte afsky<br />

– som til stadighed rummer mere end blot et<br />

stænk af fascination – over Kurtz’ brutalitet,<br />

stykker han de spredte brikker af mandens<br />

historie og skæbne sammen:<br />

“The original Kurtz had been educated<br />

partly in England, and - as he was good<br />

enough to say himself--his sympathies<br />

were in the right place. His mother was<br />

half-English, his father was half-French.<br />

All Europe contributed to the making of<br />

Kurtz; and by and by I learned that, most<br />

appropriately, the International Society<br />

for the Suppression of Savage Customs<br />

had intrusted him with the making of a<br />

report, for its future guidance. And he had<br />

written it, too. I’ve seen it. I’ve read it. It<br />

was eloquent, vibrating with eloquence, but<br />

too high-strung, I think. Seventeen pages<br />

of close writing he had found time for! But<br />

this must have been before his--let us say--<br />

M r . K u r t z o g e u r o p æ i s k i d e n t i t e t<br />

nerves, went wrong… But it was a beautiful<br />

piece of writing. The opening paragraph,<br />

however, in the light of later information,<br />

strikes me now as ominous. He began with<br />

the argument that we whites, from the<br />

point of development we had arrived at,<br />

‘must necessarily appear to them [savages]<br />

in the nature of supernatural beings-- we<br />

approach them with the might of a deity,’<br />

and so on, and so on. ‘By the simple exercise<br />

of our will we can exert a power for good<br />

practically unbounded,’ etc., etc. From that<br />

point he soared and took me with him.<br />

The peroration was magnificent, though<br />

difficult to remember, you know. It gave me<br />

the notion of an exotic Immensity ruled by<br />

an august Benevolence. It made me tingle<br />

with enthusiasm. This was the unbounded<br />

power of eloquence--of words--of burning<br />

noble words. There were no practical hints<br />

to interrupt the magic current of phrases,<br />

unless a kind of note at the foot of the<br />

last page, scrawled evidently much later, in<br />

an unsteady hand, may be regarded as the<br />

exposition of a method. It was very simple,<br />

and at the end of that moving appeal to<br />

every altruistic sentiment it blazed at you,<br />

luminous and terrifying, like a flash of<br />

lightning in a serene sky: ‘Exterminate all<br />

the brutes!’” (Conrad 1994, 71-72)<br />

Hele Europa bidrog til Mr. Kurtz. Conrad<br />

gør os opmærksomme på, at imperialismen<br />

i Afrika må forstås som et kontingent<br />

forløb, hele Europa havde del i. Belgiske<br />

og hollandske handelskompagnier, engelske<br />

sømænd og “Eldorado Explorere”, franske<br />

dampere, soldater og krigsskibe, svenske<br />

kaptajner, den russiske discipel, og Kurtz<br />

selv – halvt fransk, halvt engelsk og med<br />

det tyskklingende navn. Danmark er også<br />

med. Marlow bliver i første omgang tilbudt<br />

s i d e [ 4 9 ]

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