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Chapter Three – Research methods and their use - Page 102<br />

the next method), but here I am more interested in the abstraction of the theme (the<br />

presence of powerlessness experienced with another).<br />

Casement acknowledges the work of Matte-Blanco in his formulation, and as elaborated<br />

in Chapter Two Part Two, Matte-Blanco’s work is central to group-analytic<br />

ethnography. As a relatively simple example, I may find myself feeling ashamed whilst<br />

consulting to a clinical team. If I can reflect on somebody feeling ashamed, then I can<br />

identify that whilst that somebody may or perhaps should be me, instead shame is an<br />

unacknowledged affect in the situation that the team (both as a collective and as<br />

individual members) are trying to address in their work together with me.<br />

Psychoanalytic free-association to elements of the data<br />

(leading to metonymy and metaphor)<br />

This is such a crucial part of my approach. Freud articulated his clinical approach to<br />

dream material in The Interpretation of Dreams (1900/1953), 4 and this method has<br />

similarities with that. Rather than treat the whole dream as a symbol, Freud broke the<br />

dream into elements and explored the associations of the dreamer to these elements to<br />

expand the imagery and symbolism of the dream. Only then did Freud pull the products<br />

together and relate them to the dreamer’s life.<br />

As with the elaboration of patterns, this method can be extended into a group-analytic<br />

handling of data. In a clinical setting, interpretations are generally conveyed to the<br />

patient around the time of the bringing of the dream, although the dream then forms a<br />

significant item in the shared world of the therapy and may be returned to later and<br />

4 Freud’s invitation to free associate is as follows: “So say whatever goes through your mind. Act as<br />

though, for instance, you were a traveller sitting next to the window of a railway carriage and describing<br />

to someone inside the carriage the changing views which you see outside. Finally, never forget that you<br />

have promised to be absolutely honest, and never leave anything out because, for some reason or other, it<br />

is unpleasant to tell it” (Freud, 1913/1958, p. 135).

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