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Chapter Four – The diachronic analysis – who, what and when? – Page 140<br />

Summary and Conclusion<br />

In these fifteen two-hour sessions, eleven of us meet (with between seven and eleven of<br />

us there at any particular session). In turn, apart from the sessions at the beginning and<br />

the end, we discuss clinical material brought by one of us. By the end, people have<br />

moved in terms of their capacity to integrate theory and practice. They have had an<br />

experience of thinking about working with a patient or client, forming a response to<br />

what the client says, and of taking part in a particular kind of group discussing the<br />

process and content of the clinical material.<br />

As a story, it only seems to make sense with hindsight. Maybe that is inevitable,<br />

because this has to be a story that writes itself as it happens. We are seeking to help<br />

students to become more spontaneous and creative in their interactions with clients and<br />

patients, and to help each of them to shift from doing what they feel they ought to do or<br />

hope to be told to do, towards what they intend and are able to do, all the time having a<br />

stronger sense of themself as an effective therapist. I will say more about this<br />

transformation in other parts of the thesis, but for now, I am acknowledging that as<br />

tutors perhaps we can only let each student’s narrative of this group emerge. We can<br />

and do intervene very powerfully, but perhaps this can only ever be to create and protect<br />

the frame around the emergence of the narrative.

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