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Chapter Seven – A Discussion – Page 228<br />

anything out because, for some reason or other, it is unpleasant to tell it.<br />

(1913/1958, p. 135).<br />

Freud argues that this is something essential to psychoanalysis (in the sense that without<br />

such a determination the work becomes impossible). Haley (1963) examines how there<br />

are also paradoxical aspects to the invitation to say whatever comes into your mind,<br />

because it is impossible to do so, and how the invitation is effectively an induction, an<br />

example of the hypnotic ‘confusion technique’.<br />

As researcher, I am interested that Bill offers an invitation as unclear as he does.<br />

Subjectively and changing voice, I can recall anxiety going in to this and other sessions.<br />

In this particular session, my anxiety was triggered partly by an absence of a clear<br />

structure agreed between Judi and me and a generally difficult countertransference.<br />

In applying the approach based on Freud’s in The Interpretation of Dreams<br />

(1900/1953), I am seeking in what follows to construct interpretations that link together<br />

the understanding of the events under study, particularly informed by consideration of<br />

what is being unconsciously expressed and resolved.<br />

Enactment<br />

This is a second additional lens on the data. In this particular case, one way of seeing<br />

what takes place is that it represents unconscious expression and resolution of crucial<br />

issues during training. Hence, the fishhook is a symbol of a transferential enactment of<br />

students towards staff, involving them as real people as well, and it is as if the group<br />

need to idealise the staff, and then crucify (or otherwise impale) them, but then for them<br />

to come back to life. This seems to be a group version of the dynamic Winnicott (1969)<br />

noted, in relation to the use of a mental object by an infant in early development, that

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