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Chapter Four – The diachronic analysis – who, what and when? – Page 136<br />

and the hatred of learning from experience. We are certainly in touch with the more<br />

regressed aspects of the students, and note several of these in our discussion, for<br />

example bids by more than one student to be special. At the time, we may well have had<br />

a conscious imperative that we ought to be classically psychoanalytic (as in Freud,<br />

Klein and Lacan, prior to the intersubjective turn) and encourage the presenters of<br />

displaced material to ‘take it to therapy’. That would be to avoid something, perhaps in<br />

the same way that the eschewal of countertransference was in part an avoidance of the<br />

hatred of the therapist of learning from (I slipped here to by) experience.<br />

The Mid-Semester Break (2 Weeks) comes between Sessions 10 and 11<br />

Session 11<br />

Present: Bill, Judi, Frances, Tom, Paula, Heidi, Mary, Kelly, Nancy and Veronica.<br />

Absent: Ron.<br />

In Session 11, Paula presented her work with a woman who hardly ever came, and when<br />

she did would come very late, and Paula struggled in the group with her shame at the<br />

fact that her patient picked at her face. Looking at the transcript, the session itself seems<br />

to consist of a Work Group in Bion’s (1961) terms, with the group doing well with the<br />

patient, although much less focussed on the relationship between patient and therapist,<br />

and the process between the clinical work and the group. It is as if they are getting on<br />

with it.<br />

When Judi and I break, we actually have one of our most difficult consulting breaks<br />

(discussed in Chapter Eight, ‘The Scrap’), when there seems to be a lot of hostility<br />

between us. I wonder if this is some referred impact of Paula's competitiveness (noted<br />

by Judi in the break in Session 10), which is not able to emerge in the flow of the<br />

session. And does this (all) represent the group at work, almost as if we were linking the

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