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Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

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84 reframing latin america<br />

now have to their own past is, of course, part of the discovery of their own<br />

ethnicity. They need to honor the hidden histories from which they come.<br />

They need to understand the languages which they’ve been not taught to<br />

speak. They need to understand and revalue the traditions and inheritances<br />

of cultural expression and creativity. And in that sense, the past is not only<br />

a position from which to speak, but it is also an absolutely necessary resource<br />

in what one has to say. There is no way, in my view, in which those<br />

elements of ethnicity that depend on understanding the past, understanding<br />

one’s roots, can be done without.<br />

But, on the other hand, there comes the play of difference. This is the recognition<br />

that our relationship to that past is quite a complex one, we can’t<br />

pluck it up out of where it was and simply restore it to ourselves. If you ask<br />

my son, who is seventeen and who was born in London, where he comes<br />

from, he cannot tell you he comes from Jamaica. Part of his identity is there,<br />

but he has to discover that identity. He can’t just take it out of a suitcase<br />

and plop it on the table and say “That’s mine.” It’s not an essence like that.<br />

He has to learn to tell himself the story of his past. He has to interrogate<br />

his own history, he has to relearn that part of him that has an investment<br />

in that culture. For example, he’s learning wood sculpture, and in order to<br />

do that he has had to discover the traditions of sculpturing of a society in<br />

which he has never lived.<br />

So the relationship of the kind of ethnicity I’m talking about to the past<br />

is not a simple, essential one—it is a constructed one. It is constructed<br />

in history, it is constructed politically in part. It is part of narrative. We<br />

tell ourselves the stories of the parts of our roots in order to come into<br />

contact, creatively, with it. So this new kind of ethnicity—the emergent<br />

ethnicities—has a relationship to the past, but it is a relationship that is<br />

partly through memory, partly through narrative, one that has to be recovered.<br />

It is an act of cultural recovery.<br />

Yet it is also an ethnicity that has to recognize its position in relation to<br />

the importance of difference. It is an ethnicity that cannot deny the role of<br />

difference in discovering itself [. . .].<br />

We need a place to speak from, but we no longer speak about ethnicity in<br />

a narrow and essentialist way.<br />

That is the new ethnicity. It is a new conception of our identities because<br />

it has not lost hold of the place and the ground from which we can speak,<br />

yet it is no longer contained within that place as an essence. It wants to address<br />

a much wider variety of experience. It is part of the enormous cultural<br />

relativization of the entire globe that is the historical accomplishment—<br />

horrendous as it has been in part—of the twentieth century. Those are the

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