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chapter 14<br />

The Socialist Utopia: Che Guevara<br />

and the Cuban Revolution<br />

Analyzing THE MOTORCYCLE DIARIES<br />

Whether through the publication of Karl Marx’s writings in the nineteenth<br />

century, the victory of the Russian Revolution in 1917, the formation of<br />

Communist parties throughout the Western Hemisphere in the 1920s and<br />

1930s, or the onset of the cold war in the late 1940s, Communism has<br />

deeply impacted the history of <strong>Latin</strong> <strong>America</strong> and the rest of the world. But<br />

arguably it was not until the victory of the Cuban Revolution in 1959 that<br />

Communism began to defi ne day-to-day life in <strong>Latin</strong> <strong>America</strong>. When Fidel<br />

Castro and his ragtag guerrilla army descended from the mountains of eastern<br />

Cuba and took control of the national government in Havana in January<br />

1959, the future of socialism in <strong>Latin</strong> <strong>America</strong> suddenly became less of<br />

a dream (or nightmare) and more of a real possibility.<br />

One of those people in the mountains with Castro was a young, obscure<br />

Argentine doctor named Ernesto “Che” Guevara. Today, he is arguably the<br />

most widely recognized <strong>Latin</strong> <strong>America</strong>n fi gure in the world and the person<br />

most commonly associated with socialist revolution in <strong>Latin</strong> <strong>America</strong>.<br />

Many people today, especially youth, might know nothing more about Che<br />

than that his image is ubiquitous on T-shirts, a black fi gure set against a<br />

red background—a handsome, dashing, beret-adorned face with eyes gazing<br />

off into unknown utopian horizons. But regardless of how he is recognized<br />

or remembered, Che has unquestionably achieved the rare and immortal<br />

status of an icon.<br />

We are interested in Che to the extent that he can stand as a symbol<br />

of the era of revolutionary socialism in <strong>Latin</strong> <strong>America</strong>, roughly the thirtyyear<br />

period between 1960 and 1990. By subjecting his legend to semiotic<br />

analysis, we will illustrate the way in which discourses are present in the

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