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Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

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346 index<br />

Le Corbusier, 16<br />

leg crossing, 42, 43, 118<br />

Lenin, Vladimir, 254<br />

lettered citizen, 56–57, 152, 164<br />

liberalism, xii<br />

Like Water for Chocolate. See<br />

Como agua para chocolate<br />

literary canon. See canon<br />

literary criticism, 52–53<br />

literary critics, 10, 19, 21–22, 46,<br />

52–53, 113<br />

literary theorists. See literary critics<br />

literary theory, 10, 44–47<br />

Literary <strong>Theory</strong>: A Very Short<br />

Introduction (Culler), 55<br />

locality, 37–38<br />

Locke, John, 25<br />

López, Jennifer, 307<br />

Lumumba, Patrice, 257<br />

Luz, Dora, 229<br />

Luzardo, Santos (in Doña Bárbara),<br />

205–207<br />

Lyotard, Jean Francois, 18<br />

machismo, 253, 256<br />

Machu Picchu, 254<br />

magical realism, xii, 32, 55, 59, 150,<br />

161; in “La culpa de los Tlaxcaltecas,”<br />

269–285; as reaffirming<br />

Western readers about the West,<br />

272, 297–304<br />

Malinche, La, 155; in “La culpa de<br />

los Tlaxcaltecas,” 269–272<br />

Mariátegui, José, 35, 162<br />

Marisela (in Doña Bárbara), 209–210<br />

Márquez, Gabriel García. See<br />

García Márquez, Gabriel<br />

Martí, José, xii, 35, 150, 152, 162,<br />

166, 219–227<br />

Martin, Gerald, 147–150, 154–162,<br />

306<br />

Martín Barbero, Jesús, 35<br />

Marx, Karl, 18, 78, 108, 254<br />

Marxism, 12, 112, 244<br />

masculinity, 42, 43, 95, 122,<br />

126–133; and history, 131; and<br />

science, 125–129<br />

Mato, Daniel, 7, 34–35, 154, 334<br />

Matrix (Wachowski), 13–15, 22, 23,<br />

331<br />

Mayans, 57<br />

McKenna, Wendy, 124<br />

medieval era, 11<br />

Menchú, Rigoberta, 150, 164, 318<br />

mestizo, 58, 60, 154–162<br />

mestizaje, 92, 93, 137, 148, 150<br />

Mexican <strong>America</strong>ns, identity of, in<br />

Mi familia, 306–318<br />

Mexicana: Vintage Mexican<br />

Graphics (Heimann), 7<br />

Mexican conquest, 56, 58<br />

Mexican Revolution (in Como agua<br />

para chocolate), 286–302<br />

México profundo (Bonfi l), 319<br />

Michelangelo, 15<br />

Middle Ages, 11<br />

Mies van der Rohe, Ludwig, 16<br />

Mi familia (Nava), 306–317<br />

Mignolo, Walter, 37, 152, 153,<br />

167–180<br />

Milestone Films, 260<br />

Miranda, Aurora, 229<br />

Mitchell, Clyde, 99<br />

Modern era, 11, 21, 32<br />

modern individual. See individual<br />

modernism, xi, 15–18, 25–29, 31–35,<br />

42, 48, 53–54, 79<br />

modernismo, 16<br />

modernists, 9–13, 15, 17–18, 20–22,<br />

24–27, 31–35, 44–45, 48, 51–54,<br />

58, 134<br />

modernity, xi, 11–18, 22, 24, 26–27,<br />

29, 42, 79, 149<br />

modern subject. See subject<br />

Molina, Carmen, 229, 232<br />

monarchism, 11<br />

Moncada assault, 255<br />

Mondrian, Piet, 16<br />

Motorcycle Diaries, The (Guevara),<br />

237–252<br />

Motorcycle Diaries, The (Salles),<br />

247–250; and black-and-white<br />

imagery, 249–250; compared to<br />

Guevara’s Diaries, 247–250; and

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