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Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

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252 reframing latin america<br />

of cultural studies deconstructionism, Guillermoprieto “looks into the margins”<br />

of Che’s life to see behind the public persona. Even though she never<br />

uses discourse to describe her interpretation of Che, she shows how Che was<br />

constituted by social values of which he was not aware and which may not<br />

have been in accordance with his socialist idealism and revolutionary legend.<br />

Guillermoprieto shows that patriarchal manhood played a signifi cant role in<br />

shaping Che’s sense of self and his interpretation of his surroundings.<br />

Her rendering of Che’s life draws us back to Stuart Hall’s argument about<br />

identity as an unsettled space that emerges “between a number of intersecting<br />

discourses.” 11 Guillermoprieto shows us how Che’s sense of self was<br />

constructed and how his life was a narrative, a series of narratives actually,<br />

that he told himself and that other people told about him. In Hall’s words,<br />

“We tell ourselves stories of the parts of our roots in order to come into contact,<br />

creatively with it.” 12 And so Guillermoprieto reveals to us the place,<br />

or space from which Che originated, the discursive localities that went into<br />

making him the man he thought he was and the man he had no idea he was.<br />

While her reading of Che might come across as critical, it is not a hatchet<br />

job by a onetime member of the fl ock who has lost her faith. Guillermoprieto<br />

fi nds Che to be, not surprisingly, a real person, a complex man with<br />

merits and faults. But most important, she fi nds a man whose identity was<br />

made and remade by himself, the people around him, and the storytellers<br />

who came after him. In that regard, Che represents any other person. If he<br />

had lived, he might have rejected cultural studies, but he also might have<br />

found solace in the idea that his life, as a narrative construct, was discursively<br />

linked to everyone else’s in the world. In this way, he could hardly<br />

have been more a man of the people.<br />

Alma Guillermoprieto, “The Harsh Angel” 13<br />

Che was the century’s fi rst <strong>Latin</strong> <strong>America</strong>n: an astonishing fact, given that<br />

hundreds of millions of people in the hemisphere are joined by the same language,<br />

the same Iberian culture, the same religion, the same monstrously<br />

deformed class system, the same traditions of violence and rancor. Despite<br />

those essential bonds, <strong>Latin</strong> <strong>America</strong>’s twenty-one nations lived in determined<br />

isolation and a common mistrust until Che came along and, through<br />

his acts, proclaimed himself a citizen of them all. He was an artist of scorn,<br />

heaping it on the sanctimonious, the officiously bureaucratic, the unimaginatively<br />

conformist, who whispered eagerly that the way things were was<br />

the best way that could be arranged. He was a living banner, determined to<br />

renounce all the temptations of power and to change the world by example.

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