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Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

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42 reframing latin america<br />

obscure for many years after his death in 1913. But his theories experienced<br />

a renaissance in the 1950s and 1960s when emerging postmodernist scholars<br />

saw the revolutionary implications of his work. His theories cracked<br />

the modernist system and contributed to the advent of cultural theory and<br />

postmodernism.<br />

According to Saussure, a sign consists of two inextricable parts: the signifi<br />

er and the signifi ed. The signifi er is the vehicle that carries a mental concept,<br />

such as a word, a wink, a photograph, an expression, etc. The signifi ed<br />

is the abstract idea or the meaning that is attached to the vehicle. For example,<br />

the way one crosses one’s legs (the signifi er) conjures the abstract idea<br />

of femininity or masculinity (the signifi ed), and the union of the two (the<br />

gesture plus the mental impression associated with it) is known as the sign.<br />

Saussure’s primary contribution to cultural theory is his assertion that<br />

the relationship between signifi er and signifi ed is at once arbitrary and conventional.<br />

By this he means that there is no inherent or natural connection<br />

between the language we use and the objects or ideas to which words refer<br />

(the relationship is arbitrary). Thus, meaning (the signifi ed) is not built into<br />

the signifi er but emerges from our collective norms and cultural practices<br />

(convention). Saussure never used discourse to defi ne how that meaning is<br />

determined, but hopefully you can see how well his ideas would fi t with<br />

that term once it became available in the 1960s.<br />

Because the relationship between signifi er and signifi ed is culturally determined,<br />

we can expect their relationship to vary across time and space.<br />

The notion of feminine/masculine (the signifi ed) associated with certain<br />

types of leg crossing (the signifi er) will differ from place to place and from<br />

one time period to another. The manner in which one crosses one’s legs will<br />

signify differently (will count for different meanings) between, say, rural<br />

and urban New York, between the northern and southern United States,<br />

between North and South <strong>America</strong>, between <strong>America</strong> and Europe, and between<br />

the West and Asia (variation across space). Similarly, leg-crossing<br />

styles and their respective meanings were different in the United States in<br />

the 1950s compared with today (variation across time). Given that the nature<br />

of signs is therefore arbitrary, we can expect the relationship between<br />

signifi er and signifi ed to be in a constant state of fl ux. Although any given<br />

sign might be quite durable, even lasting centuries without much change,<br />

others might be much more fl eeting. Ultimately, however, all signs can and<br />

will vary.<br />

Even though Saussure challenged the etymological approach to language,<br />

his sign system possessed some deeply modernist characteristics. He was a<br />

structuralist. He believed that linguistic communication exhibited traits,

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