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Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

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chapter 15<br />

Boom Goes the Literature: Magical Realism<br />

as the True <strong>Latin</strong> <strong>America</strong>?<br />

“La culpa es de los Tlaxcaltecas” (“It’s the Fault of the Tlaxcaltecas”), by<br />

the Mexican author Elena Garro, is a short story written in the magical<br />

realist style. Garro wrote the story in the early 1960s, just as magical realism<br />

was beginning to be consolidated into a genre of international proportions.<br />

Even though Garro’s work was not accepted as a leading voice in this<br />

movement, her style was on the cutting edge of it. “It’s the Fault of the<br />

Tlaxcaltecas” is no exception.<br />

Born in Mexico in 1920, Elena Garro traveled far beyond her nation’s<br />

borders. She lived in many countries, and in each one she took up political<br />

and social issues dear to her. She embarked on many different career tracks,<br />

including choreographer, playwright, and news reporter, but she is best remembered<br />

for her fi ction, which broke through many boundaries and prejudices<br />

faced by female writers in <strong>Latin</strong> <strong>America</strong>. Perhaps it is for that reason<br />

that her work was disparaged throughout much of her life. After marrying<br />

Octavio Paz, the Mexican poet and philosopher, Garro went to Spain and<br />

joined other <strong>Latin</strong> <strong>America</strong>n intellectuals in support of the Republicans in<br />

the Spanish Civil War (1935–1939). Upon returning to Mexico, she worked<br />

as a reporter for a while before leaving again for New York. From there she<br />

went to Europe to join Paz and the community of artists living in exile in<br />

Paris. In the 1960s Paz and Garro’s relationship ended while he was serving<br />

as ambassador to Japan. In 1968 Garro left Mexico as an exile because<br />

the government accused her of participating in the 1968 student rebellions.<br />

When she returned in 1991, she fi nally received recognition for her writing<br />

and has since come to be regarded as one of Mexico’s great writers of the<br />

twentieth century. She died in Mexico in 1998. 1

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