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Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

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the socialist utopia 267<br />

that portrayal. Where does the fi lm situate itself discursively, despite its<br />

intentions? The title of the fi lm, Soy Cuba, is repeated in a voice-over<br />

narration throughout the fi lm. Who is the “I” (Soy) of Cuba? Is there a specifi<br />

c character(s) in the fi lm who embodies the nation of Cuba? Is it always<br />

the same character or does it change during the course of the fi lm? Who/<br />

what else is Cuba? What does this representation of Cuba include and,<br />

consequently, exclude? How does this in turn fi t into what is included<br />

or excluded in the portrayal of the Cuban Revolution? When attempting<br />

to answer these questions, consider the ways in which national identity<br />

intersects with gender, class, and race identity.<br />

• Why is it signifi cant that the fi lm has a sizable Soviet presence in its<br />

production? In what way might this fi lm say more about the lens through<br />

which Russians view Cuba than about the fi lm’s explicit subject, Cuba<br />

itself?<br />

• We offer a description of Soy Cuba without additional analyses from<br />

other scholars. When you have the opportunity to see the fi rst vignette of<br />

Soy Cuba, can you see the presence in our analysis of a discourse that we<br />

might not be aware of? The successive interpreters of Said’s Orientalism,<br />

for example, are themselves subjected to critical theory readings. For this<br />

exercise, keep in mind graph 2.3 in the introductory chapter.<br />

• In what ways is the representation of women in the fi lm similar to<br />

Che’s relationship with women as described by Alma Guillermoprieto?<br />

What do these two examples suggest to us about the role of gender in the<br />

Cuban Revolution and later in the revolutionary government?<br />

Notes<br />

1. This is a reading of Ernesto “Che” Guevara, The Motorcycle Diaries:<br />

A Journey Around South <strong>America</strong>, trans. Ann Wright (London: Verso, 1996).<br />

2. Guevara 12.<br />

3. Guevara 49.<br />

4. As of 2004, Granado was alive and living in Cuba. He recently traveled<br />

to Brazil for a premiere of the movie that is based on the Diaries. Larry<br />

Rohter, “Che Today? More Easy Rider Than Revolutionary,” New York<br />

Times, 26 May 2004: A4.<br />

5. Guevara 51.<br />

6. Guevara 52.<br />

7. Guevara 152.<br />

8. Guevara 148.<br />

9. Guevara 135.<br />

10. Guevara 90.<br />

11. Stuart Hall, “Ethnicity: Identity and Difference,” ed. Geof Eley and<br />

R. Suny, Becoming National: A Reader (New York: Oxford UP, 1996) 339.

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