Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

film foray: COMO AGUA PARA CHOCOLATE 305
Story: Latin American History at the Movies (Wilmington, DE: Scholarly
Resources, 1997) 170.
2. Harmony Wu, “Consuming Tacos and Enchiladas: Gender and the
Nation in Como agua para chocolate,” ed. Chan Noriega, Visible Nations:
Latin American Cinema and Video (Minneapolis: U of Minnesota P,
2000) 188.
3. Wu 188.
4. This excerpt is from 157–159, 161–164, 167–171.
5. Tenenbaum is referring to Thomas Tirado, Celsa’s World: Conversations
with a Mexican Peasant Woman (Tempe: Center for Latin American
Studies, Arizona State University, 1991), which is excerpted and discussed
in Chapter 18.
6. This excerpt is from 176–183, 185–187.
7. Janet Maslin, “Emotions So Strong You Can Taste Them,” New York
Times, 17 Feb. 1993: C13.
8. Victor Zamudio-Taylor and Inma Guiu, “Criss-Crossing Texts: Reading
Images in Like Water for Chocolate,” ed. Chon Noriega and Steven
Ricci, The Mexican Cinema Project (Los Angeles: UCLA Film and Television
Archive, 1994) 47.
9. Paul Willemen, Looks and Frictions: Essays in Cultural Studies and
Film Theory (Bloomington: Indiana UP, 1994) 207.
10. Homi Bhabha, “DissemiNation: Time, Narrative, and the Margins of
the Modern Nation,” ed. Homi Bhabha, Nation and Narration (New York:
Routledge, 1990) 29.